@barliman2001
“Two wild and crazy guys!

@bigdub said in How about a "Random Meaningless Image...let's see them string"?:

@dr-go said in How about a "Random Meaningless Image...let's see them string"?:

@bigdub said in How about a "Random Meaningless Image...let's see them string"?:

@dr-go said in How about a "Random Meaningless Image...let's see them string"?:

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Was this on Tik Tok by any chance?

NO ClockFace Book

😲 😧

🤨

Did another one already. This one from Maine, where the Pemaquid Lighthouse is located….I didn’t do the lighthouse. Yet. 607BE62F-E5DE-4089-89BB-383748329C3C.jpeg

@OldSchoolEuph thanks - always fun to hear the real stories after hearing the rumors 😉

@stumac Phase is not what causes the frequency that we "hear". I find more evidence that the size and taper of the trumpet bell "amplify" frequencies starting in the second octave. An 1300 Hz horn is around 4.8" in diameter at the mouth according to horn theory... This would damp the fundamental which is below cutoff severely.

I came across this today:

Hi Dr-GO,
It has a Mahavishnu Orchestra Visions of the Emerald Beyond sound to it.
Very Good!

@Kehaulani said in Does a large bore horn take more air?:

So I'm a little confused.

Could we summarize, then, in layman's terms, that the amount of air required doesn't necessarily depend upon what the bore size is but, rather, upon the collective design of the horn which includes a myriad of factors?

In other words, do some horns take "more air", horn-by-horn, depending on how it's constructed rather than on bore size alone?

Exactly this - horn by horn, depending on how it is constructed, how we hear ourselves, the efficiency of the entire body/mind/mouthpiece/trumpet/playing environment system. Even the term "amount of air" is not correct as our bodies have no measure of this except running out before a phrase is finished. We can believe that the horn is a loose blow indoors, we take it out to an open lake and the same system is like blowing into a brick wall!

Just re-watched "The Station Agent." That was a completely different type of movie, but it was Dinklage's first leading role, I think. It also had some interesting early parts by Bobby Cannavale (Will and Grace), Michelle Williams (Dawson's Creek), and John Slattery (Mad Men).

@SSmith1226

Thanks, Steve, that was so sweet. The future of music is in great hands.

@GeorgeB said in Opinions on Valve Oils?:

@flugelgirl
...sample pack makes good sense.

...sounds pretty slick to me!

@Dirk020 said in The One:

The 1991 Getzen Eterna 900 LB that crossed my path one year ago made me sell most of my other horns...

Oops! The 1980 Getzen Eterna 900 ML that crossed my path one month ago makes me think selling the LB one...

@ROWUK

Haven't heard that phrase since I lived in London 40 years ago.

@j-jericho said in [What are you listening to?] (/post/16458):

@barliman2001 Yes, it did, and it produces the same reaction in those familiar with Communism. Music is a powerful form of communication, sometimes deeper than words alone.

In Germany, I had a girlfriend who is Russian, and who returned very year to Mother Russia. I bought her a music box one Christmas of the "Internationale". Her reaction was very moving. Music can have ways of touching people nothing else can.

Agreed. Also, this is a new forum. If you had a beef with users on a previous forum, you have the right to remain silent! 🙂

FWIW, the virus lock-down hasn't affected my practicing at all. Other stuff, big time. But practicing and music-related activities. - no.

@Vulgano-Brother said in How do you feel about vibrato?:

@administrator I'm conscious of vibrato during rehearsals and practice, but in performance, I concentrate on the whole package, without focusing on the little parts.

Certainly. I would advocate a holistic awareness to our playing. Very few things can improve our playing more quickly.