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    Posts made by Dr GO

    • RE: Tone Centering for Trumpet (Centering & Tuning) Part III

      @Kujo20 said in Tone Centering for Trumpet (Centering & Tuning) Part III:

      Gents,

      It’s time to end this. Take it to private messaging if you must, but please let it be done in the public threads.

      Kujo, I have notified the administrator about the negativity in this thread.

      I agree with you and hope the amazing subject of this theme continues to develop the educational potential that it truly provides. Both Dr. Mark and Grune have amazing things to say. Let's all respect each others' opinions, that is all I am requesting.

      posted in Pedagogy
      Dr GO
      Dr GO
    • RE: Reasons to collect trumpets?

      Why do golfers have 9 irons and 3 woods in their bags? To have more control on how the reach their goal, whether that means driving the ball with a 3 wood out 200 yards to the center of a dogleg to the right, as opposed to using the driver that would take them 250 yards into the rough. Or using the 9 iron to drop the ball 80 yards onto the green as opposed to using the 7 iron that would take them over the green into the sand trap.

      I have collected trumpets to get me to reach the goal I have toward the gig or session I am hired to play. Through trumpet hangs and visiting my locally favorite music stores, I get to sample horns that when playing, places each one into the context as to whether that horn will help me optimize the quality of the type of performance to which I bring the instrument.

      Let me explain: I have two flugelhorns. I use one for a back up (in case the other is in the shop which has happened on different occasions). I then choose the Getzen Eterna when playing outdoor venues and more contemporary (jazz rock) songs as it projects very well. I choose the Kanstul 1526 for venues that will be in small, intimate clubs with more rich ballads being used for the set list.

      I have accumulated three lead horns, and must admit, two of which I rarely play out anymore. As I was unsure if my Harrelson would ever materialize, I first used the Super Recording and found it's brightness and ease of playing filled the role as a great lead horn. I then after several years of coxing with the price coming down each time, decided to adopt the Getzen Power bore, and that horn was not only efficient and bright, but also had laser crisp slotting and then became my lead horn of choice. Then my Harrelson came through and that horn is just the most amazing lead horn as it takes the qualities of the other two to another level... and it is nice eye candy.

      My Martin Committee, that one I take from my bag to play with small ensembles.

      My Olds Recordings, I use for classical work as they have a bold resonance that announces that a classical piece has arrived.

      My Ambassador, I take with me when I travel on vacation as if it gets lost, or stolen from the room, it is easily replaced.

      My Allora Pocket trumpet is another travel horn that goes with me on longer trips when I have to pack more cloths in the bags.

      So that is how I rationalize my "Reasons to collect trumpets?"

      posted in Bb & C Trumpets
      Dr GO
      Dr GO
    • RE: How about a "Random Meaningless Image...let's see them string"?

      88b18bf7-4570-4e89-ba2d-081a536467f9-image.png

      posted in Lounge
      Dr GO
      Dr GO
    • RE: Does a large bore horn take more air?

      @Tobylou8 said in Does a large bore horn take more air?:

      Concrete??? 😮 😮 😮

      Assfault???😈 😈 😈 💩

      posted in Instruments Discussion
      Dr GO
      Dr GO
    • RE: Tone Centering for Trumpet (Centering & Tuning) Part III

      @Dr-Mark said in Tone Centering for Trumpet (Centering & Tuning) Part III:
      ...I would also suggest that a trumpet probably isn't very resonant under the sea,..

      That depends. Are you referring to the double hi-seas?

      posted in Pedagogy
      Dr GO
      Dr GO
    • RE: Tone Centering for Trumpet (Centering & Tuning) Part III

      @Dr-Mark said in Tone Centering for Trumpet (Centering & Tuning) Part III:

      @Dr-GO said in Tone Centering for Trumpet (Centering & Tuning) Part III:

      As a moderator, can we make this educational?


      Oh my yes! Allow me to refer you to the original post Part III. It also contains two other sites, parts I & II. My hope is that it helps someone who wants help with improving their sound if they feel it needs improving.
      Hope this helps

      It helps.

      posted in Pedagogy
      Dr GO
      Dr GO
    • RE: Tone Centering for Trumpet (Centering & Tuning) Part III

      @ROWUK said in Tone Centering for Trumpet (Centering & Tuning) Part III:

      Fortunately, fine trumpets do not have knife edge slots so we can manage and still get great tone. Monette talks a lot about pitch center and how we muscle our bodies to correct design faults and other bad habits. I have done a lot of the things that he recommends and can say that the journey involves more than the resonant center of the instrument. We have to reduce body tension in a serious way to really benefit from the resonant center.

      Thankd Rowuk for this perspective. This has been my experience as well. Tension reduction and efficiency are key to the performer. And if the performer is on task than the audience will appreciate a high quality performance.

      posted in Pedagogy
      Dr GO
      Dr GO
    • RE: Tone Centering for Trumpet (Centering & Tuning) Part III

      @Dr-Mark said in Tone Centering for Trumpet (Centering & Tuning) Part III:


      My goodness this sure does have a prosecutorial slant to it. I think I'll just stick with what the original post has to offer.
      Thanks

      As a moderator, can we make this educational? So back to my original question that I would appreciate your answer to try to enlighten my understanding of the concepts you are trying to convey:

      Does not one lead to the other? Why would one work so hard to develop good centered tone if not to achieve the goal of delivering a good tonal performance for the audience?

      posted in Pedagogy
      Dr GO
      Dr GO
    • RE: Tone Centering for Trumpet (Centering & Tuning) Part III

      @Dr-Mark said in Tone Centering for Trumpet (Centering & Tuning) Part III:

      @Dr-GO
      Ok Dr. Mark.... Give me #3

      I think you are missing the purpose of the post. Its to help people with developing a good centered tone. Not the subjective topic of what I call a good tone.

      Does not one lead to the other? Why would one work so hard to develop good centered tone if not to achieve the goal of delivering a good tonal performance for the audience.

      You even said in response to Kehaulani; Hi Kehaulani,
      I'm sure we all are introspective at some level, but if the sound quality (the best sound the player and that particular trumpet can make) isn't there then where does that leave the person? Music is very subjective so with that said, for me, a good sound is paramount.

      So am I missing the point can you see why that would be?

      posted in Pedagogy
      Dr GO
      Dr GO
    • RE: Tone Centering for Trumpet (Centering & Tuning) Part III

      Ok Dr. Mark.... Give me #3

      posted in Pedagogy
      Dr GO
      Dr GO
    • RE: Tone Centering for Trumpet (Centering & Tuning) Part III

      @Dr-Mark said in Tone Centering for Trumpet (Centering & Tuning) Part III:

      @Dr-GO
      #2 my daughter

      😮

      posted in Pedagogy
      Dr GO
      Dr GO
    • RE: Tone Centering for Trumpet (Centering & Tuning) Part III

      @Dr-Mark said in Tone Centering for Trumpet (Centering & Tuning) Part III:

      @Dr-GO said in Tone Centering for Trumpet (Centering & Tuning) Part III:

      Dr. Mark, if you could provide me the name of a trumpet player that conveys a good sound to you.


      Absolutely. Music and sound preference is subjective. For my ears, me.

      So who would be #2... and I am amazed you did not choose your daughter as first!

      posted in Pedagogy
      Dr GO
      Dr GO
    • RE: Tone Centering for Trumpet (Centering & Tuning) Part III

      @Kehaulani said in Tone Centering for Trumpet (Centering & Tuning) Part III:

      @Dr-Mark said in Tone Centering for Trumpet (Centering & Tuning) Part III:

      @Kehaulani said in Tone Centering for Trumpet (Centering & Tuning) Part III:

      be introspective in evaluating what the notes really mean, technically and musically.


      Hi Kehaulani,
      . . . where does that leave the person? Music is very subjective so with that said, for me, a good sound is paramount. The first thing that draws me toward a trumpet player is their sound.

      To me, sound is an inherent part of your musicality.

      and your individuality. It is your voice!

      posted in Pedagogy
      Dr GO
      Dr GO
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