Topics created by GeorgeB

@Dr-GO said in New to my collection:

Interesting bell rim. Likely a significant influence on the tone.

The Selmer K-Mod had the same.

@ROWUK said in Fast Tempo and old farts:

@GeorgeB For things at the limit of what I can play (recently 1st trumpet in the orchestra version of Rimsky-Korsakovs Scheherezade), my standard take is to completely memorize the difficult licks. Once I have freed up my eyes, they do not slow my fingers or tongue down any more! 😉

This thing about memorizing difficult licks worked for me on Liberty Bell and now I am using it effectively for other pieces as well. Thanks for that tip, Rowuk.

@ButchA
Sorry to hear about your problems, Butch. With this last injury I thought that I may have to switch to Baritone horn. Thankfully, the trumpet is still my baby. Take care, buddy.

@Richard-III said in Embouchure Dystonia:

Good read and a very good site for musicians:

[link text](https://www.musicianswell.com/stories/2019/4/16/michael-atkinson-overuse-and-the-pitfalls-of-going-it-alone[link text](link url))

Thanks for sharing. Nice article.

Mike

@Kehaulani said in Busy June and July:

They can get to be a challenge. The one I referred to in Palm Springs, most everybody's shirts/blouses were 3/4 soaked through before the first tune was over. Probably the dumbest gig I did along those lines was in a mall parking lot in the middle of summe in L.A. No cover and no audience. They were smarter than to stand on hot asphalt in the blazing sun.

At my age I don't think I could handle that. I'm not so proud that I won't drop out if circumstances dictate. I'd like to live to play another day...☺

I have been gone too long. Welcome rowuk, and any more refugees from TM

For those of us who don't like to scrub out horns on a regular basis, one good scrub, followed by Herco Spitballs once a week will keep the nasties out, especially when combined with good oral hygiene. The only horns I have to scrub are the newly acquired ones. Once done, I inspect the insides periodically to find them clean every time.

@GeorgeB some arrangers of marches are very unimaginative and write nasty parts for 2nd and 3rd cornets/trumpets don't they? My suggestion is to get your double-tonguing up to speed. It's far easier to cruise through a long stretch of semi-quavers even if you can single tongue at that speed.

A few years back a teacher gave me an exercise to develop triple-tonguing that is equally applicable to building double-tonguing speed and technique: Simply pick a scale that is comfortably in your range - maybe F major and start - (F) tktk tktk taaaaa (G) tktk tktk taaaa and so on, up and down the scale. Do it slowly at first, concentrating on getting the articulation clean and even. Getting the articulation clean is more important that speed ( +1 for the suggestion above to practice just "K" articulation too).

I won't buy into the discussion about tuku vs taka except to say that it's a case of what ever works in you head - dugu dugu works for me ☺

@stumac said in A real OLD comebacker here:

I will be 81 at the end of this month, I feel young compared to a flute player in our Orchestra who is 90 and a visitor to the Big Band a couple of weeks ago, a Clarinet and saxophone player still blowing at 98.

Regards, Stuart.

@stumac said in A real OLD comebacker here:

I will be 81 at the end of this month, I feel young compared to a flute player in our Orchestra who is 90 and a visitor to the Big Band a couple of weeks ago, a Clarinet and saxophone player still blowing at 98.

Regards, Stuart.

Yeah there is a 95 year old chap playing violin for the local classical music orchestra. But no one older than me in the two local bands I have or am playing in.