Well, this is the perfect place to tell my particular relationship with the trumpet. I always loved the instrument - from three years onwards. I once, at age five, even got a toy trumpet, even made of brass!, with ten "valves", each of which was confined to one note. They don't make them any more... at any rate, I loved that thing, but it did not feel right. It had too many of these round things sticking up above the leadpipe. Proper trumpets had only three, I knew for certain. So one day I sneaked away into the basement with my grandpa's small metal saw, and started working... neatly sawed off seven of the ten "valves". So now it not only looked like a proper trumpet, you could actually grip it like a proper trumpet. I was intensely proud of this achievement and showed it to my parents who were unaccountably angry. They were talking about, "you're always ruining things" and when I said that I wanted to learn trumpet, they told me I would only break it like the toy trumpet... so I was thrown onto piano and violin (both were already in the house).
And I hated it. They soon realized I was hopeless with the violin, but kept my nose to the grindstone on piano. The local music school would not do, so every second day, they carted me to a neighbouring town for lessons with a very special, very old-school teacher: A spinster of about 69, complete with moustache, and a wooden ruler lying on the piano to whack a student's fingers with. For seven years they forced me into this kind of thing, and I became quite good at piano - out of sheer self-defence! - won a few local competitions... until I boldly told them that they could throw me out or beat me to death, but I would not go to that teacher again... They tried a different teacher for another year or two, but by this time I was refusing to practice so piano lessons ended, after nine years or so. And quite a few years later, at age 22, I won a trumpet in a raffle. Well, a bugle. No valves or anything, just a tube with a bell flare and something that could imaginatively be called a mouthpiece.
OK, I thought, this looks like fate. How do I get this thing to work? So I got out a Maurice André record cover - 1970 vinyl, in fact this album https://www.cdandlp.com/maurice-andre/l-extraordinaire-maurice-andre/33t/r118969818/ - retreated in front of the big bathroom mirror and looked closely at how Maurice's lips were shaped on the mouthpiece. Tried to emulate the shape, put some tension on and - - - toot! Since then, I styled myself "student of Maurice André". It became true about ten years later...
Next day, I went into the local music shop and bought myself a trumpet kit - Chinese "Comet", complete with 7C mouthpiece, cleaning set, wooden case and set of white gloves, for 99 Deutschmarks. Continued to work with "Maurice". After two days, asked my choir director to find me a trumpet teacher. Which he did. And only a week later, accompanied me to a specialist shop where I bought my first "proper" trumpet, a Bach Strad 229 C/Bb... new, for a whopping 2,999 Deutschmarks (we're talking 1988!). No stopping now...
Best posts made by barliman2001
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RE: How many of you taught yourself to play?
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RE: A little humour
@BigDub I met that guy when he came home from the African safari - we met at an airport whie we were waiting for our connections. He told me that apart from seeing that elephant,he had a close encounter with a lion that entered his tent. He took off at speed, not wanting to be a lion's breakfast. And so they ran - the guy in front, the lion behind. Until the guy could not run any more. He just stood there and faced the lion, "and suddenly, the lion slipped and fell down". - "And you just stood there? Wow! I would have sh*it my pants." - "Well, what do you think the lion slipped on?"
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RE: Nirschl B300
Ok, here's further information. Walter Nirschl - yes, he's still in business! - is a craftsman who got into difficulties and then put his workshop under the umbrella of bm symphonic, the parent company of Miraphone and a few other brands. During the first years of his cooperation with bm symphonic, he was a part-time employee of bm and put together some top-intermediate trumpets getting the parts from a variety of sources and just putting them together and getting in the finishing touches. Until very recently, he specialized on professional low brass, mostly with rotaries, and produced one model of rotary Bb, the "Model Uwe Komischke", named after a Munich-based professional trumpet player and professor (who, by this time, has switched over to Dowids). The "Elkhart" stamp was put on for a bit of customs and tax evasion... after finishing, they took out the valve cylinders and sent trumpet bodies and valve cylinders in separate packages, to be re-united in Elkhart, thus making both packages "unfinished goods" which at the time incurred less import duties than finished trumpets. And of course, "made in Elkhart" still has a good sound in the US...
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RE: Favorite Trumpet Playing Memory
My most exquisite trumpet memory is a recital by Maurice André in Munich - or, rather, not the recital but what happened afterwards.
I attended the recital and afterwards, went to the stage door to perhaps get Maurice to autograph my special "signatures case". When I got in, I found Maurice heartbroken and almost in tears. He had broken off the screw to the tuning device on the leadpipe of his picc. It was Saturday night, he had not thought of bringing a second instrument, and was due to play a matinee concert next morning.
Well, I got him to calm down a bit and told him I could help him get that fixed within the next few hours, if he would leave everything to me and just hop into a taxi with me. From the taxi, I called up my good, now departed friend Hermann Ganter who lived over his workshop as an instrument maker and repairer. I just told Hermann that I was coming within the next half hour and that he should be awake and sober.
When our taxi arrived at the very outskirts of Munich, Hermann was on his doorstep with his working apron over his nightshirt and, without really looking, growled that I was in for some rough treatment if... "Oh, Monsieur André, I am enchanted..." The repair was a very minor affair, but Maurice was happy, and invited me to stay a week or two at his place in the South of France. Which I did. We became firm friends, and a few weeks after Maurice's passing, I got a parcel with a lawyer's letter saying that the contents of the parcel were intended by Maurice as a last parting gift to his saviour after the Munich recital.
The contents? A 1966 Selmer high-G picc that Maurice had played during the first years of his career. He still remembered that I did not really like a Bb or A picc, and willed that high-G to me... -
RE: Good example of a bad example
@Shifty You forgot a few things:
- the 33 guitar players who argue how Jimi Hendrix would have done it
- the 17 blues singers who make sad songs about the fate of the old bulb
- the conductor who holds the bulb and waits for the world to revolve around him
- the trumpet player who holds the bulb while seven other trumpet players drink until the room is spinning
- the viola player who holds the bulb fitting instead of the bulb
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1954 Olds Recording
A year or two back, I discovered an almost-like-new LA Olds Recording in Votruba's in Vienna. Had been there for quite some time... they were only too happy to take my UMI Benge 7 for it (decent horn, but I somehow never got to grips with it), because the Benge was normal style and the Recording's Balanced style just did not catch on in Vienna... now, it's my main big band axe. Serial # 1018xx, dating it to approximately to 1954... so far, I always played it with a Bach Megatone 1C, but yesterday, I ordered a Swiss Brand Turbo 1 1/2 C in blue transparent plastic. got it today, delivered directly into my room in the rehab clinic - Thomann are great! - and it went from wonderful to spectacular... the new mouthpiece somehow released another half octave in range... and it does sound great, even though it is rather lightweight. And it's so warm on the lips - I am due to play with a local brass group on New Year's Eve, outside, and that mouthpiece was ordered for that purpose - in the hope that Thomann would only deliver it in the New Year, giving me an excuse to back out... great service!
Would love to post a few pics, but my phone is not on speaking terms with my laptop just now... -
RE: Free Brass Arrangement- National Anthem of the Ukraine
@rowuk We're deeply involved in the rescue operations as well - well, apart from myself because I managed to catch pneumonia and am incapacited in hospital... just strong enough to slowly walk from my room to the café, only to find that it is closed on Saturdays...
But until I was brought here, we organised three truck-loads of aid for Lviv, and tomorrow my wife and her son are driving to the Polish-Ukrainian border to pick up several musician friends from Lviv with their families and deliver about 500 kilos of medical supplies. Our first "convoy" brought 500 kilos of army rations and collected nine orphaned children for foster families in Austria. And next week we are clearing out of our Vienna home to live just in Germany for six months to make space for two Ukrainian families. Have to find storage for 49 trumpets first... yes, I know, I can always send them to you in unmarked cases! -
RE: A little humour
I'm posting this with a heavy heart...
As much as I love trumpets, cornets, flugelhorns, mouthpieces, mutes and everything that comes with them... it is taking up too much of my time. I am struggling to keep up with the everyday basics of cleaning and cooking and maintaining my home, so something has to give. I will be getting rid of my collection.
Below is a list of what's available. Serious inquiries only, and please don't insult me with low offers.
Thanks for reading and understanding...- Dustpan and broom, as new
- Sponges, with patina
- Toilet spray, full
- Mop and bucket, as new
- Window cleaner, hardly ever used
- Vacuum
- Dishwashing liquid
- Laundry detergent
- Fabric softener
- Laundry baskets
- Toilet brush, vintage
- Cleaning sprays
- Wife thrown in
(stolen from Jerry Ringo)
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RE: Blasphemous takes on classic tunes
Not quite blasphemous, but definitely out of the ordinary...
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RE: A little humour
@SSmith1226 As Mark Twain once said, "Politicians and diapers have one thing in common: They must be changed frequently, and for the same reason."
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RE: A little humour
Last week, I lost nine pounds.
Luckily, I found them again in the cookie jar. -
RE: Fast Tempo and old farts
For many years, I had a similar problem - fast fingerings were a nightmare. Then, I bought a cheap euphonium and started playing that in a local band. And hey presto! suddenly I was able to play much faster... seems the fear of fast fingerings on trumpet hindered my practising, and with the euph, that was gone. And now is gone for trumpet as well.
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RE: A little humour
FACT: Einstein applied for a Chair of Mathematics in Zurich and was rejected because "his theories were too far-fetched for use in academic teaching."
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RE: Which picc?
To put an end to all you people getting blue in the face holding your breath for news of the ACB Doubler picc...
It Has Arrived.
Sturdy box big enough for a euphonium. Lots of bubblewrap, then a nice lightweight case with a big outside pocket and rings for either a shoulder strap or backpack straps. Two straps provided.
Sturdy zipper.
And then...
more bubblewrap
A nice fabric leadpipe pouch with a spare A leadpipe
A nondescript 7C mouthpiece (not a bad one, as they go)...
and one gorgeous ACB Doubler piston picc in yellow brass with satin lacquer.
Nice finish, nice to touch. Comfortable to hold. And then...
Surprisingly easy to play (a Selmer is much harder, and even the Stomvi Elite is not as free-blowing). Intonation is superb - not much facial acrobatics needed to keep in tune in all ranges. And the tone is quite pleasant as well. Needs a bit of getting used to, but that's with every picc.
At that price (Trent was so kind as to ask the show demo price, and included the second leadpipe) I am very, very happy!
Oh yes, what did I pay?
$ 685, and had to pay another 100 bucks import duties (collected by the postman).
Still very happy. First official outing is a concert with the Vienna Lakeside Music Academy for their concert "Over and Under" featuring music from animated movies, 25 January. So now I'll have to do a bit of practising!
Trent, thanks!! -
RE: A little humour
Actually, the Latin version has not "corners" but the word plagis which can mean anything from "net" to "hit" to "foundation". And that in itself is just a translation from Hebrew kânâph meaning "uttermost extremity" or "wingtip". So you could possibly imagine a bird-shaped Earth, with the peoples gathering from the uttermost wingtips of the bird (somewhat like the giant turtle in Terry Pratchett's writings).
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RE: Which picc?
Ok, as promised, here's the report from the first concert with the ACB picc.
Read about "Acoustics" - description of the very unconventional hall we played in. Lots of open spaces, lots of glass, two staircases... during rehearsal, sound just vanished. At the performance, the ACB without amp easily filled the hall without effort, blended well with all the brass section of the orchestra (one Lechner Bb, one Cerveny tenor horn, one K&H trombone and a really ancient Lidl tuba). No problem with intonation even after a long wait for it being played - only used in the final piece.
Audience were thrilled, gave us 14 minutes of applause. I'm content. -
RE: A little humour
"Nurse, did you take blood from the guy in 243?" -
"Yes, Doctor, but I only got about ten pints. He's sleeping peacefully now." -
RE: Trumpet won’t play
Our dear friend Gordon once sent me a gift package with several cornets in it: A Buescher Aristocrat that to this day is my main axe in jazz, an Elkhart by Buescher that's middle of the road but unusual for its pig's tail wrap, and a King Tempo that was absolutely airtight. I tried everything - washing through, snake, spitballs... nothing worked. Finally, in desperation, I gave it to Votruba's. And they put their endoscope inside and as a result unsoldered the bell. What did they find? An ancient wad of chewing gum that someone had rammed down the bell.
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RE: A little humour
President Trump and the Archbishop of Canterbury are playing golf together. Rather frequently, the POTUS misses his putt and every time, he explains, "Darn! I missed!". The Archbishop reminds him of the commandment not to swear, telling him Heaven will record his actions and deal out fitting punishment. At the next hole, the POTUS misses a 2-inch putt: "Darn! I missed!" A dark cloud is gathering in the sky, and out of that cloud, a bolt of lightning hits the Archbishop, killing him instantly, Then, a voice is heard from the cloud: "Darn! I missed!"