@BigDub said in Another one slides in, quietly taking a seat at the end of the bar...:
...We even have black bear, coyotes, foxes, raccoons, skunks, and an over abundance of white tailed deer.
The number one killer of Americans is not Black or Grizzly Bears, Coyotes, or even Sharks. It's the White Tailed Deer.
Let's grill venison for the 4th and save Americans and America.
Now you have herd my bias.
Happy 4th Y'all!
As to the question (seriously) on bore sizes. Does it really matter? I mean, when the vibration hits the leadpipe, what effect on sound does bore size really have? Now resistance... that would be impacted. But does resistance in itself effect the sound?
I do believe the backbore length makes more sense as it impacts on the gap and the coordination of the sound wave amplitude as it hits the leadpipe, but not sure how the bore effect would change things, [other the breathe holding effect on influencing the oxygenation of hemoglobin].
@Bob-Pixley said in Does anybody want to talk trumpet?:
Ok, lets discuss what effect bore size has on a trumpet...
Bore-ing!
See... I did it again!
@Kehaulani said in Does anybody want to talk trumpet?:
Anybody want to talk about alternate chord changes or phrasing in the Haydn?
Alternate chord changes in Haydn?
Would that be Haydn seek?
Sorry Kehaulani, I'm GUILTY but just couldn't resist....
Never mind, think I may have found the answer to the above question:
@Voltrane said in Another one slides in, quietly taking a seat at the end of the bar...:
I heard of a Wah Wah mute, but a Meow Meow mute?
And once the "cat is out of the beg", how does it insert into the bell?
@Vulgano-Brother said in A little humour:
G. Raffe, famous musician who specialized in novelty tunes.
Like this one?
May I suggest changing over to trumpet. Dents are more easily fixed.
Would loan him one of my own, but I too am a shellfish kinda guy!
Very true, I have a Taylor Chicago 46 Magnum Max, at just over 4 lbs the heaviest horn I own, played it at a couple of gigs and a week long music camp, Got it out last week and found I could not hold it up for more than 30 seconds.
Regards, Stuart.
Not my experience at all. I have had my Harrelson Summit now for a year and a half and it feels as comfortable as ever. It plays as softly and as sweet as any horn I own, that is if I let it. Because like a well tuned sports car taken out on the open road, you can really open it up at an instant.
But maybe that's because I weight lift!
@adc said in Alternate (lack of) fingering above High C:
Since high D and F can be played open, I assume A and maybe B can be played open? I was just amazed that high C,D,E,F, G are all open.
I find A is best played with the third valve. I keep the B at 2.
But coming back home to Emily is the perfect ending to traveling:
And when not on the farm, well then there is hiking in Gatlinburg:
@BigDub said in A little humour:
"June is busting out all over, I guess", to which the other one said, "what’s the other ones name?"
I know, I know. Leave it to the Beaver, it's [June] Cleavage!
By the way, did you know "Leave it to Beaver" that was first TV show censored for sexually explicit content.
Yes, it was the episode when June approached Ward at breakfast and stated:
"You were a little hard on the Beaver last night!"
@bobmiller1969 said in Martin Committee Club:
@tjveloce
I have only had it back for just over a week, and following his advice with trying different backbores, I seem to have the horn dialed in to my liking. I'm using an old H.N. White 11 mouthpiece that I bought on a whim for about $25 on eBay.
I agree. Finding the perfect mouthpiece for this horn is an art, but well worth the experimentation, because when you get it right, Man is it right! I had the original Martin 10 mouthpiece that came with the horn's original owner from who's estate I purchased the horn. That Martin mouthpiece does little justice to the Committee's sound. And you are right, its matching just the right backbore.
With that said, the Kanstul G2 I found is just perfect. Its the Miles copy of his Gustat Heim Mouthpiece. And let me tell you, Miles too made a good mouthpiece choice....
@Kehaulani said in Martin Committee Club:
The Committes that are two toned -I'm assumption that's nickel trim?- are they heavier than mono-colored Committees?
I have a neighbor with a nickel trim (Delux) 1952 Committee. I have played it quit a bit. They are not heavier, nor is their balance really different. What I do appreciate is they are a bit brighter... but merely a tad. They still have that creamy, dark sound.
