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    • GeorgeB
      GeorgeB last edited by

      Where is everybody on Saturday and Sunday ? It is rare to come here on the weekends and find a post of any kind. I have to go to Trumpet Herald on Saturday and Sunday where there is lots of activity if I want to get my weekend fix.

      I don't know why it is this way here and right now I don't have any suggestions, but I just wanted to point out that there are a lot weak areas at TB, especially with serious discussions about pedagogy. New young players and comeback players are plentiful at that other site, but sorely missing here, probably because they are seeking help and can't find it here.

      Say what you like about Dr. Mark, but when he was a member, there was a lot of posts in the pedagogy department. We need experienced members like Mark to get things going or we will never see any growth.

      Of course, this is just in my humble opinion.

      George

      1960s King Super 20 Silversonic, 1940 Olds Recording, 1942 Buescher True Tone 400 ,1999 Conn Vintage One Bb trumpet, A 1952 Selmer Paris, A 2020 Getzen 400 and a Manchester Brass ACB custom pro Bb trumpet, a 1962 Conn Victor 5A Cornet.

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      • SSmith1226
        SSmith1226 last edited by

        I would agree that Dr. Mark was a prolific, knowledgeable, instructor, and valuable contributor.

        Steve Smith

        Dr GO 1 Reply Last reply Reply Quote 0
        • Dr GO
          Dr GO @SSmith1226 last edited by

          @ssmith1226 said in Silent weekends:

          I would agree that Dr. Mark was a prolific, knowledgeable, instructor, and valuable contributor.

          I agree with all of these. He was also an angry man and was taking it out on several members and with painful aggression. I also noted we lost a lot of members during his attack phase.

          I think the decision by our monitors to ban him from the site was appropriate and respect their decision. Hopefully, with GeorgeB's input, we can move forward on pedagogy, and I would hope Valgano Brother would take the lead as he is an expert in this field.

          Allora Pocket Trumpet 2014
          Harrelson Summit 2017
          Kanstul 1526 2012
          Getzen Power Bore 1961
          Getzen Eterna 4-Valve Fulgelhorn 1974
          Martin Committee 1946
          Olds Super Recording 1940
          Olds Recording (LA) 1953
          Olds Recording (Fullerton) 1967
          Olds Ambassador 1965

          GeorgeB 1 Reply Last reply Reply Quote 0
          • GeorgeB
            GeorgeB @Dr GO last edited by

            @dr-go
            Yeah, I would really like to see Valgano Brother participate more, and more from Robin ( Rowuk ), and younger guys like Patrick Gleason ( trickg ) who can speak from experience would definitely produce a stronger pedagogy section.

            I tried myself several times to post things that would fall under the pedagogy banner. They would start off well but would slowly become victim to too much humor that was often totally unrelated to the subject of the thread, and interest would die off.

            1960s King Super 20 Silversonic, 1940 Olds Recording, 1942 Buescher True Tone 400 ,1999 Conn Vintage One Bb trumpet, A 1952 Selmer Paris, A 2020 Getzen 400 and a Manchester Brass ACB custom pro Bb trumpet, a 1962 Conn Victor 5A Cornet.

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            • flugelgirl
              flugelgirl Qualified Repair Techs Veterans & Military Musicians last edited by

              Pedagogy can be a difficult topic to describe online. It’s pretty normal in these forums to see someone asking a question that would be better answered in person, and getting a lot of varied answers, most making little sense. Theory questions are easier to answer on a forum, except that I see a lot of people here posting about how they don’t think knowing it makes one a better player as soon as someone brings it up. If you are my student, you are learning theory while you play, because understanding what you are playing makes you both a more musical player and a better sight reader. If you are my student, though, you are also very lucky because I don’t take many!
              As for our “former user”, I don’t miss him at all. He seemed to post a lot just to feel superior, and wasn’t always right about it. I do agree, though, that too many useful threads devolve into stupid humor, which is too bad.

              Daily players: Adams A1, A4LT, F2 flugel , CN1 cornet.
              Schagerl Raweni
              Puje 3am(named for me), Benge pocket
              Schilke P5-4, C5L
              Yamaha 761 Eb/D
              Lots of vintage toys

              GeorgeB 1 Reply Last reply Reply Quote 4
              • GeorgeB
                GeorgeB @flugelgirl last edited by GeorgeB

                @flugelgirl

                Yes, pedagogy can be a difficult topic. But it isn't always a place where expert advice is the only advice. I have picked up helpful tips here and there just by hearing how one player dealt with a particular problem. Sometimes it is just one person's way of doing a thing that can help another player who has been dealing with a playing problem.

                I'd just like to see more interesting conversation centered around the playing of the instrument. You never know, we just may learn something new. More of this kind of thing could bring us some new members.

                Now, wouldn't that be nice ?

                1960s King Super 20 Silversonic, 1940 Olds Recording, 1942 Buescher True Tone 400 ,1999 Conn Vintage One Bb trumpet, A 1952 Selmer Paris, A 2020 Getzen 400 and a Manchester Brass ACB custom pro Bb trumpet, a 1962 Conn Victor 5A Cornet.

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                • administrator
                  administrator Global Moderator last edited by

                  Unfortunately, Dr. Mark was just too aggressive. I wonder if he comes around from time to time...I don't believe his IP was banned, just his account.

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