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    Are diads playable?

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    • _Mark_
      _Mark_ last edited by

      In my early attempts to hit the first leger line 'a', i sometimes break out a diad, two tones ringing simultaneously. I know this is due to my pathetic embouchure, but my question is: do people play this way in an intentional ~ controlled way?

      barliman2001 1 Reply Last reply Reply Quote 0
      • barliman2001
        barliman2001 Global Moderator @_Mark_ last edited by

        @_mark_ James Morrison and his multiphonics come to mind.

        Courtois Balanced
        Courtois D
        Olds Recording
        Buescher Aristocrat
        Gaudet C
        Selmer G
        Courtois 154 Flugelhorn
        Besson International Bb cornet
        Courtois Bb cornet
        B&H Sovereign Soprano Cornet
        B&H Sovereign trombone
        Willy Garreis trombone
        Weltklang Euph

        1 Reply Last reply Reply Quote 3
        • M
          mafields627 last edited by mafields627

          Two things come to mind: an uncontrolled double buzz (which I see most often with my younger low brass students and try to eliminate) and multiphonics (humming a pitch with playing another).

          It sounds like you are referring to the uncontrolled double buzz. I don't know anyone that does that purposefully.

          --Matt--

          No representation is made that the quality of this post is greater than the quality of that of any other poster. Oh, and get a teacher!

          _Mark_ 1 Reply Last reply Reply Quote 1
          • _Mark_
            _Mark_ @mafields627 last edited by

            @mafields627 said in Are diads playable?:

            Two things come to mind: an uncontrolled double buzz (which I see most often with my younger low brass students and try to eliminate) and multiphonics (humming a pitch with playing another).

            It sounds like you are referring to the uncontrolled double buzz. I don't know anyone that does that purposefully.

            I'm struggling with minimal lip cover over some very irregular teeth. It's definitely uncontrolled double buzzing. I'm sure that if I were a young student, my teacher would pull the trumpet out of my hands and tell me i'd never make good. I still haven't found the best placement for the mouthpiece, and i'm sure this is the reason i'm not getting high notes.

            M ROWUK GeorgeB 3 Replies Last reply Reply Quote 0
            • M
              mafields627 @_Mark_ last edited by

              @_mark_ Your description of your issue makes sense as to why you're having a double buzz.

              When you are approaching the A, do you try to go straight from G or do you go chromatically from G#? A lot of times approaching from the half step instead of whole step makes it easier to play that note.

              Also, I wonder if you would be a candidate for the Wedge mouthpiece?

              --Matt--

              No representation is made that the quality of this post is greater than the quality of that of any other poster. Oh, and get a teacher!

              _Mark_ 1 Reply Last reply Reply Quote 1
              • ROWUK
                ROWUK Veterans & Military Musicians Western Europe Group Monette Club @_Mark_ last edited by

                @_mark_
                I believe that you are not in any position to comment on anything except the symptoms that you notice. Trying to "analyse" the issue with no base knowledge just leads to useless hardware and embouchure changes.
                Irregular teeth are no issue unless you learned to play on perfect teeth and then they got messed up in an accident (ask me how I know).
                Moving the mouthpiece around is poison and where exactly it is, is certainly not a problem for getting started and playing up to G on top of the staff. My experience is that a proper daily routine promotes evolution - not revolution. Embouchure is fine motor activity, not building a six pack. Low impact repetitions! Lipslurs, longtones!

                I am sure that multiphonics can be generated with a combination of lips and humming/singing or only with a weak embouchure. The mouthpiece in the "wrong place" would not be the cause of the double buzz, rather simple weak chops from lack of constructive practice.

                _Mark_ 1 Reply Last reply Reply Quote 4
                • GeorgeB
                  GeorgeB @_Mark_ last edited by

                  @_mark_

                  Listen to what ROWUK is saying. You'll never get better advice in your life than you'll get from this man. Seriously.

                  George

                  1960s King Super 20 Silversonic, 1940 Olds Recording, 1942 Buescher True Tone 400 ,1999 Conn Vintage One Bb trumpet, A 1952 Selmer Paris, A 2020 Getzen 400 and a Manchester Brass ACB custom pro Bb trumpet, a 1962 Conn Victor 5A Cornet.

                  1 Reply Last reply Reply Quote 3
                  • _Mark_
                    _Mark_ @mafields627 last edited by

                    @mafields627 said in Are diads playable?:

                    @_mark_ Your description of your issue makes sense as to why you're having a double buzz.

                    When you are approaching the A, do you try to go straight from G or do you go chromatically from G#? A lot of times approaching from the half step instead of whole step makes it easier to play that note.

                    Also, I wonder if you would be a candidate for the Wedge mouthpiece?

                    I've heard of the wedge mp and suspect i'll need it, but I've been wanting to find a way through first. Thanks. I'm just coming up on six months of learning, and I started from total scratch. Never touched a horn in my 64 years of life before. I had no facial muscles to work with. I'm finally able to limp through some tunes and scales. I think, in time, perhaps a bit more time than typical, I'll fight my way up to c above the staff. I've been trying different mouthpieces, and have a wedge in mind for trial in the future.

                    1 Reply Last reply Reply Quote 0
                    • _Mark_
                      _Mark_ @ROWUK last edited by

                      @rowuk i did not mean to give advice. I'm absolutely unqualified. I hope no one took or takes anything i say in that spirit. One does not learn anything in the manner of being self-taught without analyzing from ones own trial and error experience, but henceforth I'll just keep that part to myself. I appreciate the tips and guidance that have come from this forum. Much obliged.

                      J. Jericho 1 Reply Last reply Reply Quote 1
                      • J. Jericho
                        J. Jericho Global Moderator @_Mark_ last edited by

                        @_mark_ What mouthpiece are you using?

                        '62 Olds Studio Trumpet
                        '67 Olds Special Trumpet
                        2013 Dillon Pocket Trumpet
                        '83 Yamaha YFH-731 Flugelhorn
                        1919 York Perfec-Tone Cornet
                        '50 Olds Studio Trombone
                        Shofar

                        "If it was just up to me, I'd only have trumpet players on my show." - Jackie Gleason

                        GeorgeB 1 Reply Last reply Reply Quote 0
                        • GeorgeB
                          GeorgeB @J. Jericho last edited by

                          @j-jericho said in Are diads playable?:

                          @_mark_ What mouthpiece are you using?

                          Yes, Mark, I wonder the same thing.

                          I am and have been a Wedge user for about two years but have moved away from it because the placement of the mp on the lips ( it has a dot at the top and the bottom of it's oval rim ) is too critical for my old chops. But you get a 90 day return period and that would be enough to see if it would work for you. I was using a 65MD (.650 inches ) size.

                          1960s King Super 20 Silversonic, 1940 Olds Recording, 1942 Buescher True Tone 400 ,1999 Conn Vintage One Bb trumpet, A 1952 Selmer Paris, A 2020 Getzen 400 and a Manchester Brass ACB custom pro Bb trumpet, a 1962 Conn Victor 5A Cornet.

                          1 Reply Last reply Reply Quote 0
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