@Dr-GO said in Oder Deutsch?:
@BigDub said in Oder Deutsch?:
@Kehaulani said in Oder Deutsch?:
I speak some German - Scheiss egal.
Me, too. Farfegnuten.
Or constipation: Farfrompooten
Donāt try to impress us with the medical talk
@Dr-GO said in Oder Deutsch?:
@BigDub said in Oder Deutsch?:
@Kehaulani said in Oder Deutsch?:
I speak some German - Scheiss egal.
Me, too. Farfegnuten.
Or constipation: Farfrompooten
Donāt try to impress us with the medical talk
@Tobylou8 said in residue in valve ports:
I would also venture a guess that he doesn't empty the 2nd valve when he plays. 99.9% don't. I mention that since the grey was only there.
What do you mean by "empty"?
Remove the bottom cap and drain it?
I usually remove all my bottom valve caps and shake the water off. My Getzen seems to accumulate a lot of moisture/condensation.
@Vulgano-Brother said in Oder Deutsch?:
German can be spoken here as well.
Although it might be more effective in the written form
Eye popping cleaning..
I decided my Getzen Eterna, ( which other people would say looks like new to begin with ), needed a cleaning before I played a gig last night. I did a couple of things differently, kind of on the fly. Took one of my plastic 16 oz. containers from my painting ( artwork ) stuff, because it was wide enough to have the tuning slide sit in it to soak, along with first and third tuning slides. I used fairly hot water with a touch of Dawn dish detergent. The amato water keys really enjoy this and are very cooperative after this treatment. I also took the felts off all the valves and put all three in there to soak as well. I did the snake on any and all these after the soaking, snaked the lead pipe and any other areas I could get at with the warm to hot water and Dawn. Ran soapy water then clear. I mainly wanted to buff the exterior because it had gotten a little less than mirror like for my taste. I made my own buffer, like a jewelers buffing wheel which I attached to my drill. Amazing how well that worked.
Now here is the part that struck me. After all the years I have been playing trumpet, 55+, I have never experienced such a free blowing feeling and ease of play. It was that significant. I handed my horn to my buddy and told him to try it. He had the same experience, though he isnāt accustomed to my horn at all. Anyway, I never had such an immediate improvement to a 20 minute cleaning as this was.
@ButchA said in Community Band:
Looking over various "set lists" from people, I have noticed that George's music is on par with The Shriners Band here in town. We are sort of a "community band" type of arrangement, but yet we're Shriners as well as Freemasons.
Here's a sample from our "set list" (Note: it is mostly marches, which --no offense-- can get rather tiring/annoying after a while. I mean, like, "another march? seriously?":
)
Alamo
Chimes of Liberty
The Saint's Hallelujah
Colonel Bogey
Covington Square
Battle of Midway
The Happy Wanderer
Allied Honor
Hoop-Dee-Doo
E Pluribus Unum
Gallant Marines
The Longest Day
The Footlifter
Just A Closer Walk With Thee
Highlights from My Fair Lady
Highlights from Man Of La Mancha
Highlights from South Pacific
The Klaxon
......................................................................
As the new 2019 VP of the band, I am trying to persuade the "older guys" to lighten up a bit and have some fun. Let's play something more lively and more towards the jazzy Big Band type of sound. Enough with the marches already, sheesh...
I am pushing for us to get copies of:
It's Only A Paper Moon (full arrangement, not the basic HS jazz band setup).
Here's That Rainy Day (again - full arrangement, not the basic HS jazz band setup).
Looks plenty ambitious, Butch! Nice.
Is this an open medical advice forum?
I think it is a good idea. It will keep you busy, out of trouble, and give you a sense of accomplishment if you are going to be retired and all.
I will provide you with a list of FAQ's to begin with soon. Brilliant.
@dupac said in Pic mouthpieces:
@BigDub
On this Chinese clone exactly as on the original Schilke P5-4, the water key is fitted upside down. And I understood why: when you quickly remove the slide you avoid hitting the edge of the bell.
Voir lĆ”!
I see, mon amĆ
@dupac is the water key upside down on that piccolo?
@Peter-Mac said in Is this the World's Brightest Trumpet?:
The brightest I have, and played is the Conn Vocabell as per TobyLou. It is the brightest in my stable with any Lead mpce. I have not tried the Buescher, so I do bow to Trent...
This is my actual horn - still got it. Ozwinds couldn't move it! Museum grade restoration. Magic Horn
Peashooter? Looks like it might be with the tight bends in the tubing and shallow space for the left hand.
@fels said in Community Band:
Our Community Band is performing on Sunday - Professional venue - program is below. A bit of a chop buster.
Coronation March - Tchaikovsky
Mambo - L Bernstein
Gershwin Tribute to Love
Raiders March - Williams
An American Elegy - Tichelli
Suite Francaise - Milhaud
Liberty Bell March - Sousa
The Lord of the Dance
Looks great.
Our program coming up in May looks like this.
The Town Crier March [1960] / Leonard B. Smith
Russian Sailorās Dance from āThe Red Poppyā [1927] / Reinhold GliĆØre/Merle Isaac
Au Clair de la Lune [1926], John Anastasio on Solo Clarinet / Paul Jeanjean
World War I Medley [2017] / arr. Jari Villanueva
Pavanne from ā2nd American Symphonetteā [1938] / Morton Gould
Sea Songs [1983] / Thomas Knox
Sesqui-Centennial Exposition March* [1926] / John Philip Sousa
INTERMISSION
El Capitan March* [1896] / John Philip Sousa
Band of Brothers [2001] / Michael Kamen/Jerry Brubaker
Limehouse Blues [2016] / Philip Braham/John Anastasio
Oklahoma! [1943] / Richard Rodgers/R. R. Bennett
Humoresque on āSwaneeā [1920] / George Gershwin/J. P. Sousa/Brion
Armed Forces Salute [1964] / Robert Cray
The Stars and Stripes Forever March* [1896] / John Philip Sousa
@Dr-GO said in Great Idea!:
@BigDub said in Great Idea!:
@administrator said in Great Idea!:
Currently, I'm the only moderator and I don't read enough posts to catch much of anything.
That was my problem trying to edit gmonady's posts on you know, TM. He had over 18,000. Whew. Too much for one person!
BUT that is why I paid you the BIG Dub-Bucks!
None of the retailers seem to honor the Big-Dub bucks, sadly.
@administrator said in Great Idea!:
Currently, I'm the only moderator and I don't read enough posts to catch much of anything.
That was my problem trying to edit gmonady's posts on you know, TM. He had over 18,000. Whew. Too much for one person!
@SSmith1226 said in A little humour:
@BigDub
At 70, Iām with BigDub...
Well, like I said, I am 67, but I am reading at a 75 yr old level, I am told.
@tjcombo said in A little humour:
@moshe
I took a moment to get it too - a few seconds, but then again, I'm only 62
Well, Iām 67 and I donāt know what anyone is talking about....just kidding. I got it as soon as I saw it. Maybe itās better to be a little older. I remember when the song was playing on the radio!
@Tobylou8 if I didnāt know better I would think someone was afraid to hurt feelings.....he couldnāt bring himself to tell most of the group they were flat.
I often thought to myself, you donāt get people to stay on pitch by telling them they are not on pitch. Tell them, "if you're always flat, maybe, just maybe you might want to think sharper?" But no. The easy way out was to chastise my section for not listening to the rest of the choir.
That didnāt sit well with me as I steadily let myself go flatter so I didnāt offend the sopranos. Oy!
@Tobylou8 wow. That's you?
I have fairly decent relative pitch, and my biggest pet peeve was singing in a choir doing a capella. Me singing tenor.
The tenor section would stick to my pitch. We were continually chastised for being sharp. I would get so angry because the other sections would drop a half tone after about a couple of measures into the piece. Every time.
So, what, we had to purposely sing flat to match their wrong notes? I guess so. Apparently. I did not enjoy singing a capella with this group. It was near torture.
@Newell-Post said in need perfect pitch to play trombone ?:
I have a friend who worked as a music therapist (and excellent recreational musician). She said that in her entire career she only met two people with perfect pitch. Neither of them became advanced or even intermediate musicians because when they were students, playing in student bands and orchestras just kind of drove them around the bend. Perfect pitch made the cacophony of student ensembles completely intolerable to them. OTOH, it didn't seem to hurt Pavarotti very much; nor did the inability to read music.
I often hear the definition of perfect pitch ( not from the dictionary ) as having been born with this ability to identify every single note they hear, or be able to produce any note on demand.
I say, they have to be educated first, to learn what the pitches are in the first place. A person born into other musical cultures, i.e. Asian, African, and indigenous tribes from various countries, they have different scales, pitch frequencies, etc, would affect them accordingly.
In other words, a baby just learning to talk hears the note on Mom's car radio and says, "mommy, that note is an A"
really isnāt what happens, is it.
@FranklinD said in need perfect pitch to play trombone ?:
I played in ancient times slide trombone for 25 years or more but still I believe it's easier to play in tune on a trombone than on a trumpet. I have been in trombone sections that played completely in tune, I don't understand all the complaining and moaning here.
I guess I'm being fairly specific about the ones I am talking about
@Newell-Post said in need perfect pitch to play trombone ?:
That is sort of like assuming singers and violinists all need perfect pitch, since their "instruments" can produce a continuum of pitches. One of my old band directors said the trombone is the only instrument in the brass section that IN THEORY has the ability to play every note perfectly in tune. In practice,.... uhhh, not so much.
And yet, with that possibility the trombone offers, so few players ( at least ones I play near ) take advantage of it!
I would only wish brass players just have a basic sense of pitch. The knowledge of when they are off a bit, and I mean quite a bit. Is that too much to ask?