@SSmith1226 said in The One:
@J-Jericho said in The One:
Now, I haven't explored high-dollar trumpets, but the way my Studio plays for me, I have no inclination to do so.You are a stronger man than I am, J. Jericho!!!
Steve, just be honest. You're following the sethoflagos routine - equal sums for trumpets and your wife's jewellery. And you love your wife so much that you just have to keep on buying trumpets... 
@J-Jericho said in The One:
My Olds Studio plays like no other trumpet I've ever played, and I've played quite a few interesting trumpets. Now, I haven't explored high-dollar trumpets, but the way my Studio plays for me, I have no inclination to do so.
My Yamaha YFH-731, the brass instrument with the best intonation I have encountered, is a keeper, also. There's plenty of room to bend notes if I want, and I can create any timbre I want as well.
The second-best, as far as intonation, is my aptly named York Perfec-Tone cornet. Great sounding horn.
I do not expect to replace any of these instruments; I truly love each one.
Olds Studio - yes. I've got one too, and it's my go-to horn at the moment. Except, perhaps, for my newly-acquired Courtois Balanced, or my Buescher Aristocrat, or my Benge #3... But in one respect I am totally sated - my Courtois 154R flugel. I've had that since 1991, and I haven't looked at another flugel since. True, I bought a few on e-bay; but every single one of these went to other players within a week or so. So now, I don't even look at other flugels.
@Dr-GO said in Having to play in too many sharps?:
@barliman2001 said in Having to play in too many sharps?:
@GeorgeB said in Having to play in too many sharps?:
@Trumpetsplus said in Having to play in too many sharps?:
@GeorgeB QED
Sorry, Ivan, my ignorance is probably going to show here: What Is QED?
Originally, it's Latin and the abbreviation for Quod Erat Demonstrandum, meaning, "what was intended to be demonstrated". The abbreviation was first used in mathematics.
"So it is proved" is another interpretation of QED. And Barliman, quid pro quo if you agree, yes?
Of course.
@Rapier232 said in Mute Musings:
Mutes, the bane of my life. Most of my playing is in theatre pit bands. I’ve probably spent more money on mutes for shows than I’ve been paid. Hat mute, Cleartone, metal and fibre straight mutes, metal and fibre cups, plunger, felt mute, even an extra Harmon because there wasn’t enough time to remove and replace stem between use. Sometimes I feel more like a juggler than a trumpet player. Why those that write scores don’t understand the player’s time requirements is a mystery. The puzzled face of an MD when you ask "Do you want this passage with a cup, or straight? Because you can’t have both. I physically cannot change mutes on a quaver rest".
Many of these parts were originally written for two players. One to play the straight, and the other to continue with the cup. Unfortunately, modern orchestras don't work that way.
@GeorgeB said in Having to play in too many sharps?:
@Trumpetsplus said in Having to play in too many sharps?:
@GeorgeB QED
Sorry, Ivan, my ignorance is probably going to show here: What Is QED?
Originally, it's Latin and the abbreviation for Quod Erat Demonstrandum, meaning, "what was intended to be demonstrated". The abbreviation was first used in mathematics.
The BBC story is here: https://www.bbc.com/news/world-middle-east-13092827,
and a video link is here: https://www.classicfm.com/discover-music/king-tutankhamun-trumpet-oldest-in-existence/
@Dirk020 There is a rule about old Courtois horns. All have red rot, except your own.
I don't intend to go into discussions of which mute to use where. I'll just add a small hilarious anecdote... Once, while playing in a certain orchestra, the piece had the two trumpets using harmons... first with the stem in, then with the stem extended and finally with the stems out. Unfortunately, we had only one and a half bars to get the extended stems fully out, so we had to take the stems out while leaving the mute in... you can imagine what happened. At the strategic moment, not only the stems came out, but the mutes as well... and there was a well-synchronized "kerlunk" as two Harmons hit the stage floor almost simultaneously...
@flugelgirl said in Mute Musings:
Corks are meant to be sanded so they properly fit the bell. Since bell flares can be very different, sometimes when you get a new horn you need to replace your mute corks. Mutes that fit my last daily player well needed replacements to fit my current horn correctly.
That's why H&B put rubber fittings on their Harmon Wah-wah. These fit any horn and won't tumble out.
I just joined a new orchestra who are doing Music from Animation Movies for their next programme. Conductor and arranger is a Church musician without any clue as to how to arrange for brass... the "mildest" piece has five sharps... ugh!
@mrhappy Actually, mine should be late 1950s.
@mrhappy I've got a C trumpet marked Gaudet (with original Courtois valves) and the 154R flugel.
@Dirk020 Yes indeed. And I've seen video footage of the endoscopic inspection Votruba are doing on every instrument they take in for resale.
@Niner That's an old idea... http://wahlfahrt09.de/geschichten/csu-ohne-c/index.html First picture shows the remains of St. Prosper, a 5th-century historian and theologian (secretary of Pope Leo I) who is on show in my home town's Parish Church.
@Niner I played it before I bought it. Typical Courtois which is what I like. Somehow, every Courtois I ever played was an instant hit for me. I've tried several styles on it - Haydn, 2nd movement, Mahler 5 beginning, Stormy Weather, a few Arbans, some Big Band charts. Suitable for everything. Strong sound in the low range, can be mellow and really sing everywhere, and if you give the horn some beans, you can peel paint with it. Interior condition is mint - clean, tight valves, perfect compression. Outside - well, about one third of the plating is gone at the usual places. No dings or dents. I'm very, very happy (and my wife is happy that I did not spend all her hairdresser's allowance! )
I visit Votruba's shop in Vienna on a regular basis. Mostly to have small things on my horns seen to - waterkey corks and springs, a new bottle of oil, perhaps some new corks to a mute. But I always keep a weather eye open on their "pre-loved" window... and today I got lucky. They had a Courtois Bb, a Balanced model, silver plated, for a mere € 300. True, about one third of the plating has been played away; but there are no dings or holes, no red rot, and the valves go plop! and move as they should. A narrow kranz on the bell, very like a Selmer K-Mod. Serial no. 10xxx. Does anyone here know more?
Before this post, I had never heard of Elmer Churampi; but now, I consider him the legitimate heir of Maurice André. Don't misunderstand me - there are many excellent players out there, each and every one with their own personal style and area of excellence. I admire every single one of them, be it Tine Thing Helseth, Alison Balsom, Hakan Hardenberger, Guy Touvron, or Sergey Nakariakov, or... whoever. But no one after the sad demise of MA quite got that mixture of silky smoothness with technical brilliance and - from what I gather - a likeable personality. Elmer Churampi nails that. His performance of the Hummel is remarkabl near MA's style, yet is no mere copy. I raise my hat and a few celebratory glasses to the young guy!
@SSmith1226 Steve, you're incorrigible. What about the time when you went into a hospital and posed as a surgeon?
@OldSchoolEuph It certainly can, my friend, but only if every member uses this forum in a civilized and orderly way. In the case of the deleted topic, there was very little fact and an enormous amount of defamation and abuse. And as there was indeed 90% abuse and only 10% content, it was easier to delete the whole topic.