Funny how so many of us gravitate towards one high horn more than another! I am completely at home on picc in Bb or A, my horn or someone else’s though mine always feels best. I hate playing D trumpet with a passion, though I can tolerate and play well on Eb. I don’t care much for C but have no problems playing it. Picc is a rush, though, and I love it. I do maintenance practice once or twice a month right now, but had no problem picking it up, sight reading, and playing in tune for Easter. I suppose I owe it to all the very diligent practice I put in early on and also to about 6 or 7 years of Brass Quintet where I played it in a group almost daily.
Best posts made by flugelgirl
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RE: Easter Services
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RE: #49 Two Minute Trumpet Trick- How the Get Super-Fast Valves
I recommend a professional cleaning every 1-3 yrs, more often if you don’t clean regularly, but you can get away with less if you do. I give my own daily players a yearly chem or ultrasonic cleaning (depending on age). It’s definitely important that casings are cleaned as well as pistons, especially when using synthetic oils. I have flushed out many a horn with dried up rocks of synthetic oils clinging to the inside of the casings! A good tech is properly trained on the chemicals and equipment they use, and can use them safely. If you have a good tech in your area, trust them to do the job. I say this not to make money for myself or other techs, but because I’ve worked on so many home “fixes” gone wrong. You save money by not creating more work, and get a better-playing horn as well.
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RE: Carol Brass Sticky Valves
@orly61 You should really contact the dealer about these issues. I would suspect that your valves may be dragging because of hand placement - new valves with close tolerances do not like to be hit sideways. Check your pistons for any spots where they have rubbed, and that should tell you where your hand position strays. If your horn has a buzz that it shouldn’t, that is a sure sign of a warranty repair or replacement. That could signify anything from a valve spring to a leak or even a broken bell bead, and should be handled under warranty.
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RE: Silent weekends
Pedagogy can be a difficult topic to describe online. It’s pretty normal in these forums to see someone asking a question that would be better answered in person, and getting a lot of varied answers, most making little sense. Theory questions are easier to answer on a forum, except that I see a lot of people here posting about how they don’t think knowing it makes one a better player as soon as someone brings it up. If you are my student, you are learning theory while you play, because understanding what you are playing makes you both a more musical player and a better sight reader. If you are my student, though, you are also very lucky because I don’t take many!
As for our “former user”, I don’t miss him at all. He seemed to post a lot just to feel superior, and wasn’t always right about it. I do agree, though, that too many useful threads devolve into stupid humor, which is too bad. -
RE: Over 70 vintage trumpets and cornets!
@Kehaulani life is short - enjoy the toys! I know, I’m a horribly bad influence...
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RE: Building and Repairing
@_mark_ Not offended, just trying to explain why most of us do not give out repair info. One of the first things we tend to learn in this field is how much we don’t know, and how much time and money it takes to get a solid start in this field. It’s not cheaper and easier to DIY due to the learning curve and cost of tooling and supplies. My toolbox for school, which only includes the bare minimum needed to learn, was $3k. I’ve easily added that to tooling in my home shop, which is still very limited. It’s pretty hard to save money on repairs if you can’t afford the tooling needed to do a clean job, as well as the skills to use it. You’ll either end up spending more money in the end because you invested in the tools and supplies, or because you messed something up that will cost more than you would have spent on the original repair bill. Since you state your income is limited, you might save more money just by taking it to your local tech.
As far as other players caring whether you took lessons or not, no one really cares how you learned if you play well. The reason to invest in lessons is to learn something new from someone who does it better than you. Those of us who make money playing and teaching don’t care if you want to play for fun, and don’t judge you for the level you play at. The judgement comes if you’re getting paid to sit beside us and can’t do the job, simple as that. You should never feel bad about playing for the love of it, so enjoy! No judgement here, but no one is obligated to give anyone free lessons. Doesn’t mean it never happens, though, and there is a lot of free info out there that anyone can take advantage of if they can understand how to apply it. -
RE: Taps Across America
My video seems to be above the max size for this site to upload, but it is available on the Quinn the Eskimo Facebook page, and shared with the event website. I was lucky that it stopped raining just long enough!
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RE: Longest Layoff
My husband likes being married to another musician, and so do I. No one asking “Why do you practice all the time? Why aren’t you spending time with me?”. We both got sick of that in previous relationships! The only time in our marriage we’ve ever argued is when we have to share a practice space, so we’ve made sure the rest of our houses have had enough room for us each to have our own practice rooms. We’re coming up on 22yrs, so I guess it’s worked pretty well!
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RE: reading the road map
It’s good to have these habits when you practice. Do it long enough, and you won’t have to think about it anymore! Well over 50% of my gigs are sight reading - in most cases the set is already up when I get there, and there’s not much time to do more than set up my horns and leaf through the titles before I play. Those early good habits like identifying musical phrases, repeats, codes, etc kick into high gear! One of my college teachers used to say that when he sightread he just saw groups of patterns - that really hit me one day when I remembered what he said and realized that I’d been doing it that way too. I was so extra fortunate to have private teachers early on that taught me great habits!
Wow, I sure miss gigs.......️ -
RE: Opinions on Valve Oils?
@Kehaulani Though I have not found it to react adversely, I ALWAYS recommend cleaning out old products before applying a new brand.
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RE: Vintage Horn Eye Candy
All right, I’ll play - here’s a couple of mine.....
1939 King Silver Tone Master model
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RE: Flugel Thread
@Dr-Mark sounds like the brace needs to be bent to fit the tubing - if the tubing is pushed to the brace instead of the brace fit to the tubing the pressure can pull them apart again. It also sounds like you may need to find a better tech, but that depends on your other experience with this tech, I guess.
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RE: The new Martin Committee "thread" from a TM emigrant
We just got in a very pristine large bore at Quinn the Eskimo - it should list shortly if it hasn’t already. It’s probably the best one I’ve played - you’re probably all lucky that I have no interest in it!!
https://www.brassandwinds.com/ -
RE: need perfect pitch to play trombone ?
There are a few I’ve played with that have a better chance of playing in tune than playing in time. That’s just as irritating!!
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RE: Vintage Horn Eye Candy
Buffet Crampon - no real info on this one, but it’s a lot like a heavier Selmer...
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NAMM 2020
So, yesterday was a great day at NAMM! Had meetings with Conn-Selmer and Jupiter for the new year, and I played a bunch of new horns, including the Adams Fulcrum model and gen II A1,BAC Plaza, and the new B&S C trumpet designed by Josh Landress. For anyone looking for a brand new horn that plays like a Super Recording, the Fulcrum is it - great valves, beautiful fit and finish. I enjoyed the Plaza with the copper bell most of the plaza models. BAC is stepping up with their trumpets using the new tooling, but they were not my favorite. The new B&S C is amazing!!! It has a set of weights that screw on the pull knobs, and they change the slotting and intonation incredibly! I played with the lighter weight and had the typical flat d and e. Josh put on a heavier weight and they were in tune, but sound became a bit stuffy. I asked for something in between and perfection! Resonated beautifully and played in tune!
I ended up ordering myself a custom A1 that will be delivered in April. Fantastic horn I know I’ll get a lot of gigs done with. It really has a lot of the characteristics of both my current A1 and my A4LT, and I’m looking forward to getting it! I ordered mine with two Amado water keys as I hate pulling a third slide to empty, and I dislike the saturns as well.
Getting ready for day two and a meeting with Yamaha this morning! For those of you at the show, how are you enjoying it? -
RE: Do You Prefer Classical, Jazz, Rock or Other?
The majority of the time, I’m listening to and studying various forms of jazz. It speaks to my soul in ways nothing else does, and always has. While I do enjoy classical music, most of it that I listen to is in preparation for playing. I like the music, I like the challenge, I like playing horns in various keys and I especially like not being labeled as a One-Trick Pony. I also love rock, funk, disco, and all sorts of contemporary horn bands, and really love playing it, but still nothing speaks to me the way jazz does. I have not played in a wind ensemble in close to 4yrs and don’t miss it at all, but I sure am missing everything else right now!
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RE: First Horns
I started on a Cleveland cornet exactly like that! It plays like a sewer pipe, and is currently in my home shop waiting to become a lamp. I kept it all these years just so some other poor kid wouldn’t get stuck with it! My replacement for it was a 1960 Benge 3X that my first private teacher sold us for less than it was worth because he didn’t want me to play that cornet any more. I don’t own that horn anymore, but played it from 7th grade through most of college! Wish I still had it - he had bought it from Bobby Shew when they were playing together in Las Vegas.
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RE: HELP! Corona has struck...
Not so into that video - I have never had a need to own those pliers, and I pull slides that have been stuck for decades on a regular basis. The heat and penetrating oil parts are good - be very careful not to burn lacquer! Any extreme heat will also unsolder parts. A few light taps to the outside of that slide leg along with heat and penetrating oil would probably have broken up that corrosion without the need to unsolder, as it wasn’t very severe. I really don’t recommend that you do it yourself, as I’ve seen more damage done by people trying to remove stuck slides or mouthpieces than by actually dropping horns! Any time you do this without the proper tools and skills, it could end up a mess for your tech to fix later. Really think twice about doing this on vintage horns where replacement parts are not as readily available! You might want to use that backup horn you don’t like instead.