Keep it simple - no profanity, no name calling, nothing unrelated to trumpets/cornets/flugelhorns/etc. and musical topics in general. That gives topics a pretty wide latitude without excessive rules. Be civil to your fellow members if there’s a disagreement on some point, and keep things PG in case younger people are looking in.
Anyone here into photographing railroad subjects? Years ago, I was interested in both photography and trains, and took a lot of photos of them, mostly with an old Miranda 35mm camera. I still like photography, but I don’t chase trains any more...lol
Anyway, to get things started, I’ll post a few of the ones I’ve taken for any who are interested. Feel free to post any you have taken, but please don’t post generic pics found on the net.
@N1684T said in Hello! Welcome to TB, who are you?:
I found a copy of American Drummer Boy on Ebay. Love civil war stuff.....
I ran across this screen shot of me playing Eb cornet in the movie. That’s me on the end by the stair. 
Hope you all have a happy and safe upcoming 4th, even those of you in other countries. Here’s a photo I took a number of years ago that is appropriate.
I saw this cool jazz trio on a walk through the neighborhood this morning. Can you dig it? 
Took some new pics of this cool little cornet. Made from German silver, oval-port Allen valves.
Note: If you click on the pictures, they are higher resolution.
A few new glamour shots of a rare instrument...
...click on the photos for higher resolution...
Man, that’s a beauty! I bet it plays like a dream, too - congratulations. 
Recently, I was asked by a funeral director to play at a graveside service for a poor, humble man. The service was to be at a pauper’s cemetery in the middle of nowhere.
As I was not familiar with that area I used the Sat Nav, but the signal dissapeared and the road I was on didn't show on the map, so I got lost.
I finally arrived an hour late and saw the funeral guy had evidently gone, and the hearse was nowhere in sight. There were only the diggers and crew left. They had almost finished filling in the grave, and were having a break and eating lunch.
I felt badly and apologized to the men for being late. I went to the side of the grave and looked down at where the man lay.
I didn’t know what else to do, so I started to play.
The workers put down their lunches and began to gather around. I played out my heart and soul for this man with no family and friends.
I played like I’ve never played before for this guy.
And as I played ‘Amazing Grace,’ the workers began to weep. They wept, I wept, and we all wept together. When I finished, I packed up my cornet and started for my car. Though my head hung low, my heart was full.
As I opened the door to my car, I heard one of the workers say, "I've never seen anything like that before, and I’ve been putting in septic tanks for twenty years."
Apparently, I was still lost.
The Marine Band, “The Presidents Own”, is basically a professional band with no boot camp or other military service required. I believe if a person auditions and makes it, there’s just some military etiquette and uniform instruction required. No PT, firearm training, etc. All the other service bands require the members to be regular military, whose primary job is to play in the band.
@rowuk said in $800 Box of Mouthpieces!:
We are creatures of habit and I firmly believe that THIS is the #1 reason for mouthpiece safaris not working.
I believe that we need MONTHS to determine if a mouthpiece is good for us. The process is called acclimation. We must practice, adapt and perform to cover our use cases.My personal practice is, and has always been to cold turkey switch and stick with the "new" for at least 2 months - no switching back to the original. After that two - three months, I retry the original and note the differences. My last switch was in 1996.
I can generally tell within a day or two (sometimes much sooner) if I don’t like a mouthpiece, but yes, it takes quite a bit of playing one in different situations to tell if I REALLY like one. I’ve played a 3C on trumpet since the early 1980s, but I did switch from a Bach 3C to a Curry 3C. about 6 years ago, and haven’t looked back. It was familiar to me, so the transition was easy, and it was so much better! I generally play a Curry 3BBC. on cornet, too. I accumulated all those cornet mouthpieces over the years partly due to curiosity, and partly due to keeping some of the mouthpieces that came with horns I bought and sold.
A trumpet playing friend of mine recently decided to dig out his old Conn 76A Connquest cornet and play it on cornet parts in the church orchestra, because I’ve been leading by example. 
I offered to let him try out a bunch of my seldom-used cornet mouthpieces to get an idea of what might best work for him on his cornet. He kept them a couple weeks and returned them to me after rehearsal last night.
In the box were eight Bach pieces (1C, 1-1/2C, 3, 3C, 6, 6BM, 7C, 10-1/2C), two Connstellation pieces (5C-W, 7C-W), a Conn 4, since that’s what his cornet originally came with, and a Wick 4B. I told him to be careful with that box of mouthpieces, because the replacement value was probably close to $800…
I didn’t include my Curry 3BBC., Curry 3C., and Wick 4, because those are what I’m currently playing. Out of all those, he said he preferred the sound and ease of play combination the Bach 6BM provided, since he plays trumpet on a Bach 5C. Unfortunately, I don’t own any Bach 5 size mouthpieces for him to try, because I never liked them.
Nice! I played that with a couple other trumpet players at an outdoor community concert band concert about 40 years ago. The other guys weren’t really good double-tonguers, so I played the solo version while they played the 2nd and 3rd trio parts.
@kehaulani said in Trumpet playing Christmas marathon is over!:
Is that a 38-B?
It’s a 1960 6B Victor. Same architecture as the Connstellation with the wide wrap and large bell flare, but less the slide stops, trigger, and some of the nickel plating.
