Best posts made by barliman2001

@georgeb Still playing until he peacefully passed away at age 92.

Still in fairly common use in Austrian wind bands...

@Kehaulani said in Boorish Band Behavior:

I{f it bothers you, take it up with the conductor or band president.
And FWIW, I feel the sexist description and comments uncalled for and tasteless.

I can see no sexist description - rather a polite euphemism in describing the culprit not as a "fat woman" but as a "generously proportioned lady".

@jolter The guy is a former lawyer who is now doing this. He bought a couple of houses in French abandoned village Bardou and started with chamber music sessions there, and now he's upgraded to full symphonic. I've known him for a couple of years, and you could not find a nicer organizer. Most competent - as a cellist as well - and always on the look-out for new players. Best possible service, too - no need to bring music stands or lights or anything, as everything in that line will be provided. For cellists and bassists and the like who can't take their instruments on flights, he can provide instruments and only recently commissioned a new double bass from a reputable maker for just that purpose. And it's not only music, either. Every Symphonic Holiday comprises sight-seeing outings, picknicks in lovely landscapes and enough spare time to do things on your own.

The first is a sturdily made beginners' instrument, the other one intended for accomplished players. No coordinated dimensions. Valves will NOT interchange. Don't even try - it's risky.

@Comeback Don't worry - three trumpets an two cornets is only the Stage 1 of N+1 Disease (N being the number of instruments you have..). When you're in my shoes, with 29 trumpets and cornets, two trombones and two euphonia, you get to realize that cleaning is thoroughly overrated...

@georgeb Indeed, Cefalù with Symphonioc Holidays is always a treat. It's a great little town, with spectacular volcanic beaches and a very steep Rock as background, an 11th century Cathedral, no cars - the roads are too narrow - and a plethora of wonderful restaurants. Combine that with rehearsal rooms from the 15th century and friends in the orchestra who regularly meet there... a dream come true.

Well, the topic been abundantly discussed now, so I am closing this thread - to avoid pistols at dawn.

@grune said in Instrument Maintenance:

@barliman2001 that's an enviable collection for any serious player. which is your favourite?

Every single one, depending on the purpose. I've got a wonderful 1950s Courtois Balanced for jazz and big band work, a #7 Benge for anything chamber music/brass quintet, a really nice Buescher Aristocrat for larger orchestral stuff... even runs down to a Conn International that's perfect for carnival/mardi gras work because some previous owner had it lacquered blue and enamelled with a drunken vulture... the one very special favourite amongst trumpets would be a Selmer high-G picc that I inherited from Maurice André.

@N1684T At this time, I've been through four hospitals in three countries, starting off with Huddersfield Royal Infirmary in the UK (which is a place to avoid - not the UK, but the hospital)), the ordeal beginning on 15 March...

@administrator IMHO, you should go for something that will really represent you as a musical individual. I've got nothing against Yammies; but I am repulsed by their predictable, reliable sameness. Many people like that; but for me, it just means that you are predictable and not an individual. That is why I have given up on new horns altogether. There was a time when I had a full set of Stomvis (Bb, C, D/Eb, picc) and really liked them; but then, I happened upon a 1940s Buescher Aristocrat, with the result that I now play the Buescher, and an old Courtois for a D, and a 1970s Besson for an Eb, and the Stomvis had to go on. With these old horns, I always got the feeling that somehow I am continuing tradition, that somehow those guys who played these hooters before me are still alive in their horns...
As to getting yourself an instrument - you can't go wrong with, say, an Olds Recording or Studio (have both - can be used anywhere.) Or you can go for a 1980s Selmer or Courtois... the possibilities are endless. Get yourself a cheap solid horn first to get back into shape - Olds Ambassador, or a 4000 series Yammie, or a Stomvi Forte, or an intermediate Getzen - and then work up until you are back to being able to say which horn you now want and what is suitable for you. IME, as soon as you are ready for it, the right horn will find you. It's not the other way round.

Quite interesting that in the Asterix comics, 2017 saw a chariot race through Italy where one team consisted of charioteer Coronavirus and his offsider Bacillus...
https://en.wikipedia.org/wiki/Asterix_and_the_Chariot_Race

@administrator You can always find me in Vienna - quite near to Prague.

@mike-ansberry There is one link.

@administrator Are you going to start building violas?? Shame on you!

@Kehaulani said in Fast Tempo and old farts:

Original performance by the composer and his band:
Youtube Video

I very much doubt that this is an original Sousa recording, especially as it says "Conductor: John Wallace"...

Definition of Alzheimer's Alcoholism:
You drink a lot and then forget to pay for it.

Now that we've relearned how to wash our hands, we can tackle how to use indicators in traffic.

HERE is an original Sousa recording, dated 1911, from a Graphophone cylinder:

@Dr-GO That one is on the brink... hovering over the abyss of being banned by a moderator...