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    Hakan Masterclass (Good learning!)

    Pedagogy
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    • ?
      A Former User last edited by

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      • GeorgeB
        GeorgeB last edited by

        I don't have time to watch all of this right now, but I will be watching it. Thanks, Dr. Mark.

        1960s King Super 20 Silversonic, 1940 Olds Recording, 1942 Buescher True Tone 400 ,1999 Conn Vintage One Bb trumpet, A 1952 Selmer Paris, A 2020 Getzen 400 and a Manchester Brass ACB custom pro Bb trumpet, a 1962 Conn Victor 5A Cornet.

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        • I
          IrishTrumpeter last edited by

          Great video - thanks very much

          Thomann TR 800 L MKII Bb-Trumpet
          Startone PTR-20 Bb- Trumpet Blue
          pCompact pCompact Bb- trumpet red

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          • ROWUK
            ROWUK Veterans & Military Musicians Western Europe Group Monette Club last edited by

            Very good masterclass. Jack is already an amazing player and Håkan still was able to take him to a higher level - with BASICS! Breathing according to plan, rhythm and concept of tone are not "high level" things that wee need a master for - or do we?

            Basically we can listen to anything that Håkan does. He has earned that respect!

            The only downside - Jack asked no questions...

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            • ?
              A Former User @ROWUK last edited by

              @ROWUK
              I think my favorite part (and there were several) was when Hakan looked at the young man's sheet music and said "where are the breath marks?"
              I've had directors complain that I write in breath marks on the sheet music but I just let it go in one ear and out the other. The way I see it, the next person won't have to write them in!
              The more we learn about the trumpet the more we learn the weight that air use plays in the process.

              ROWUK 1 Reply Last reply Reply Quote 2
              • ROWUK
                ROWUK Veterans & Military Musicians Western Europe Group Monette Club @Guest last edited by

                @Dr-Mark I learn that we need an intimate connection to the BASICS - regardless of how advanced certain aspects of our playing might be.

                Dr GO 1 Reply Last reply Reply Quote 0
                • Dr GO
                  Dr GO @ROWUK last edited by

                  @ROWUK said in Hakan Masterclass (Good learning!):

                  @Dr-Mark I learn that we need an intimate connection to the BASICS - regardless of how advanced certain aspects of our playing might be.

                  Just like you cannot build a quality house without a foundation. Then once the house is built (advanced materials), it is filled with personal decor which makes it a home (the accomplished musician). I think this metaphor describes how this approach correlates to building a high quality musician.

                  Allora Pocket Trumpet 2014
                  Harrelson Summit 2017
                  Kanstul 1526 2012
                  Getzen Power Bore 1961
                  Getzen Eterna 4-Valve Fulgelhorn 1974
                  Martin Committee 1946
                  Olds Super Recording 1940
                  Olds Recording (LA) 1953
                  Olds Recording (Fullerton) 1967
                  Olds Ambassador 1965

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                  • ?
                    A Former User @Dr GO last edited by A Former User

                    @Dr-GO said in Hakan Masterclass (Good learning!):

                    Just like you cannot build a quality house without a foundation. Then once the house is built (advanced materials), it is filled with personal decor which makes it a home (the accomplished musician). I think this metaphor describes how this approach correlates to building a high quality musician.

                    Once a good foundation is laid on a house, we generally leave it alone and build up from there. I don't know about you but I've done a fist full of performances where I've had to revert back to the foundation especially air use and I'm old and have been doing this a long time (when I think about how long, I should be a lot better!). Never the less, a house's foundation isn't messed with once laid. I always revert to the foundations often especially if I'm having a rough go at it and can't figure out why. That means I bring the foundation (how I'm using my air) into conscious thought for a while. Once its fixed, I go back to groovin' and put the foundation thinking on the back burner. Nope, for me, I always revert to the foundations when I'm not playing my best. I almost never revert to my home's foundation. Maybe the storm drain, sewer, or hot water tank but almost never the foundation.

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                    • Dr GO
                      Dr GO @Guest last edited by

                      @Dr-Mark said in Hakan Masterclass (Good learning!):

                      @Dr-GO said in Hakan Masterclass (Good learning!):

                      Once a good foundation is laid on a house, we generally leave it alone and build up from there. ... Nope, for me, I always revert to the foundations when I'm not playing my best. I almost never revert to my home's foundation. Maybe the storm drain, sewer, or hot water tank but almost never the foundation.

                      I think it's great in having a "vacation" home to go to from time to time.

                      Allora Pocket Trumpet 2014
                      Harrelson Summit 2017
                      Kanstul 1526 2012
                      Getzen Power Bore 1961
                      Getzen Eterna 4-Valve Fulgelhorn 1974
                      Martin Committee 1946
                      Olds Super Recording 1940
                      Olds Recording (LA) 1953
                      Olds Recording (Fullerton) 1967
                      Olds Ambassador 1965

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