Best posts made by Shifty

@richard-iii said in Why not another thread about bigger horns ?:

Of course if there were a Cornet Boards, I wouldn't even be here.

Are you a facebook user?

https://www.facebook.com/groups/1514385745525221/about

@Newell-Post said in We're off to a good start:

ROWUK in the house....

I sure hope so, and not an impersonator. I think we'll know for sure when he makes his first post

Welcome aboard, Robin. What took you so long???

An aside concerning the oTHer forum. In the past you could "view posts since last visit," open a link, and then "go back" to the list. Now if you do that, the "go back" sends you to "You cannot make another search so soon after your last; please try again in a short while." So I've gotten in the habit of right-clicking to open the links in new tabs.

It's one thing when there's room for improvement, another thing when something that worked fine before gets messed up.

@Kehaulani said in King Liberty:

Diverting. I'm addressing the "why" question, which was posted by the post's originator.

Sorry, I don't see a "why" in the OP. And I thought he was referring to the "Instruments Discussion/Historical and Collector's Items" forum, not TrumpetBoards in general.

@Kehaulani said in Jens Lindemann about mouthpieces:

Did you google "jens lindemann mouthpiece rant" ?

Just a Google of "lindemann mouthpieces" brings up the text on several websites, plus videos of Jens discussing the same issues.

Don't forget to use sunscreen.

@IrishTrumpeter said in Books about Trumpets:

@OldSchoolEuph I am avatar blind, do tell us more

I think Ron was referring to his book, available at Amazon.
https://www.amazon.com/Timeline-Trumpets-Collecting-History-Modern/dp/1979048800

Might want to wait for that second edition, though.

@Kehaulani said in King Liberty:

This post is, for me, exactly why this "new forum isn't exactly taking off" - jokes and gear . . and pretty pictures.

If people want a lounge type format, that's fine. I'm just making a contrast. Where's the music? I want to learn and discuss things about music, not peripheral stuff.

I recently got frustrated and decided to just go back to Sax on the Web. It has it's fair share of equipment stuff, too, but it's also balanced with more meaty musical topics, and it applies to music, in general, not just sax players.

Well, this post is in the "Instruments Discussion/Historical & Collector's Items" forum, so it seems totally appropriate. Certainly not "Lounge" material. I would expect to find the music in the "Music Discussion" forum.

@Gendreauj said in V, V barrel and barrel trumpet mouthpieces:

@stumac
Took the information off Denis Wick website. Since it is written in British English, I may have misinterpret it.

I believe the references to V-type and Barrel in the Denis Wick comparison chart are describing the backbore, not the cup.

@bigdub
You just seem to keep getting better and better.

@Comeback said in Getzen Club:

There are some who criticize the plastic slide stops commonly found on the Sev's and some other Getzen trumpets. Not me. I like them. They are quiet and do not project below the third valve slide, also I have never had one break or cause a single issue. They are easy to remove and replace for maintenance purposes too. They can be a little difficult to find. I have two for backups, but wonder if I will ever need them. I have experimented with the three adjustment slots on the slide stops. The slot nearest to the center of the stop works well for my third valve tuning needs.

I've got a 1997 700S and it doesn't look or feel a day older than my 2018 800S. The 700S has the plastic stop, and I'm a fan as well. Downright elegant design, IMHO, but I did have one break. At the time I found a replacement on Amazon, although I don't see it there now. But they can be found:

https://www.hickeys.com/music/brass/trumpet/accessories/custom_and_replacement_parts/products/sku125082-getzentrumpet-3rd-valve-slide-stop-plastic.php

My 1959 Connstellation 28A was built before they started adding slide stops, and I wished it had a Getzen style stop. Others talk about using a string, which is decidedly NOT elegant. I use two zip ties -- one on the third slide and one on the tube exiting the main tuning slide, with heads positioned to interfere. Just rotate one to remove the slide. Call it semi-elegant

@administrator said in A real OLD comebacker here:

Feel free to join the "old guys club."

Do we have an age criterion to qualify?

@barliman2001
They are on the web: https://brasswindresearch.com/

And here is some commentary from TH a long time ago: https://www.trumpetherald.com/forum/viewtopic.php?t=102980&postdays=0&postorder=asc&start=0

Sure seems quiet here. I think the last post was five days ago. Everyone OK?

Happy Easter to all.

@trumpetlearner

I think the most common solution is to wrap a hair "scrunchie" between the second valve slide and the third valve slide finger ring, at least while the horn is sitting vertically on a stand. It can be extended to the first valve slide as well for travel. Other solutions include strings or shoe laces. Do not use bare rubber, as it will trash your silver.

Here's my solution. Parts consist of turkey baster tube, section of Polaris pool cleaner hose, plastic garden hose male coupler, brass coupler (the only part I had to buy, the rest was already on hand) and existing connection to a shower fixture attachment. The taper on the baster allows it to fit snugly in the mouthpipe of trumpets/cornets/flugel and my baritone. Since it's connected to the bathtub shower, I can power wash using hot water. I use it in between normal cleanings and also as the final step in a normal cleaning to get rid of loose stuff and ensure the Dawn is all gone.

@Kehaulani said in Does a large bore horn take more air?:

@Kehaulani said in Does a large bore horn take more air?:

I've read a bunch of threads on this and they all devolve into other factors.

Like I said.

Albert Einstein actually said “It can scarcely be denied that the supreme goal of all theory is to make the irreducible basic elements as simple and as few as possible without having to surrender the adequate representation of a single datum of experience.”

What he meant was "Everything should be made as simple as possible, but no simpler."

@newell-post said in A little humour:

@j-jericho Before daylight savings time, people just adopted a "summer schedule" or "double summer schedule." In the former, they scheduled everything an hour earlier. In the latter, they scheduled everything hours earlier. Leave the clocks alone. Just change the schedule.

I agree. And I point this out in every DST discussion. DST doesn't save any daylight, and adapting schedules to nature makes much more sense. The only thing dumber than DST is "permanent" DST; only our government could cook that one up and suggest that it's a good idea.

@coolerdave
Nice to see your name pop up. Welcome to Trumpetboards.

@dbtrumpet

Thanks, Dave, for posting this warmup routine. I've found it very valuable in several ways. It took me a few tries to figure out how to play it, and more to play it reasonably well. It's a nice little workout--even a routine you can run through when there's no real practice time.

Being a rank amateur, I should probably pick a horn and a mouthpiece and stick with it, but I love cycling through the horns in my signature. It used to take me a while to make the switch, but this exercise works as a "reset" for me. Even going to the baritone is easier.

I also owe you thanks for a post you made quite a while ago over on the oTHer site. You quoted a discussion about using a 3x5 card to determine your dominant lip. That led me to discover that I'm weird (in yet another way) in that my bottom lip is dominant. I can play a reasonable tone with a business card over my top lip, but the only thing I can get out with the bottom lip covered is a pedal tone.

What did I learn from that?

1. I believe I'm an upstream player with low MP placement. Moving the mouthpiece down a bit more allowed me to disable the double buzz I was getting at low C -- where my upper lip wanted to join in.

2. I'd always believed the accepted science that the top lip was dominant, so you should punish the lower lip when pressure was required. Doing that cut off my top range, making high C impossible other than early in the session.

3. The lower MP placement cleared up the tubbiness on low G and F#.

Using a bit of pressure on the top lip (in lieu of the bottom) helps with high range. Too bad my dog starts to whine when I get above high C. Otherwise, I could practice up there.