@j-jericho said in Body Mapping for Trumpet Players:
@dr-go said in Body Mapping for Trumpet Players:
I would love to hear commentary as to how member agree or disagree with some of this concepts. Here is a pdf of the original article. Enjoy!
https://digitalscholarship.unlv.edu/cgi/viewcontent.cgi?article=3683&context=thesesdissertations
This study is a nice checklist for achieving a relaxed, comfortable, efficient way to play without unnecessary stress. Thanks for posting it! I suspect that many players automatically do most, and perhaps all, of the suggestions made in the paper, especially if they''re in tune with their own bodies. Explaining why each part of the body is optimized in selected positions is good reinforcement. The mention of a goal for how to use the embouchure and air is a nice addition, too. The suggestions for additional reading are comprehensive and very welcome!
In your subsequent post you mentioned the pinky ring. Personally, I use it by default, because I find that doing so positions my fingers for maximum mechanical advantage, and because this has the resultant benefit of introducing the minimum of side force on the valves, prolonging valve life. Other than a valve trill involving an open note and a valved note, which can involve the wrist in playing the trill faster when the pinkie ring is not used, I find no difference in speed and effort in fast passages whether the pinkie ring is used or not. Besides, not having to choose when to use the ring is one less thing to have to deal with, however small this decision may be.
Interesting. Lately when going from mute to different mute quickly when playing, my pinky stays in the ring. I've found it to help stabilize the horn on my face and make playing easier.