
Mike Ansberry
@Mike Ansberry
Olds Super Recording 1947 w/sleeved leadpipe
Olds Super Recording 1949
Olds Recording 1970's
Olds L-12 Flugelhorn
Olds Super 1947
Olds Super 1970's
Eclipse MR
Conn 40b Vocabell 1933
Boston 3 Star cornet 1890's
Scherzer 4 valve rotary piccolo
Bach 37 (Son's)
Holton Collegiate (Son's)
Buescher mdl 15 cornet (Dad's)
Best posts made by Mike Ansberry
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Pleased with my progress using Balanced Embouchure
I posted this over at TH but thought I'd share it here too:
I'm really happy with the progress I've made using BE. In addition to my BE routine and other stuff I've added playing real book melodies up an octave. I have been able to play tunes up to the G above high C. I don't claim to own that note. It is thin and ugly, but it is there. During my BE routine I can play exercises above the G, some days up to double C. But again they are not really usable yet. But they are there. My endurance is also way up.
I am very anxious to have a gig. I haven't played a gig since March. I hope what I have worked on in practice will translate to the job. The proof is in the pudding where the rubber meets the road.
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Conn 12b
A friend gave me a 1957 Conn 12b. He was expressing his gratitude for repair I’ve done for him over the years. It is a little beat up but I can fix that. MAN, WHAT A GORGEOUS SOUND IT HAS!!!
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RE: Olds Pinto?
@N1684T said in Olds Pinto?:
Agreed. Big clue is Olds Pinto used a plastic valve block;)
During the late 70's I made my living as a full time repair tech at the local music store. I saw quite a few Pintos and its cousin, the Reynolds Ranger. They did not have plastic valve blocks. They were brass valve blocks coated in a thick plastic. They could be taken apart without a torch, and the valves were interchangeable. And they sucked big time. But they were nearly indestructible.
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RE: Set lists
@BigDub I got an iPad a couple of weeks ago. I'm still working on getting everything into ForScore, but it helps a bunch. Now I don't have to carry 3 large books with me. Just an iPad. Okay, truth is I'm old and don't trust technology. I still keep the books in the car just in case something goes wrong with the iPad. But it is a lot easier anyway.
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RE: Soon to be my new Bobby Herriot model Getzen
Hey, Kehaulani. It is an Eterna Large Bore. Have you played one? They are one of the unicorn trumpets. I had one in my shop for repair a few years ago. It was dogged out but was an incredible player.
Do I need it? No. The only horn I really need is my 1949 Super Recording. Will it get playing time? Yes. And the upturned bell will help me deal with playing over the stand into a mic during performances.
I do have a couple of horns that are great horns but don't get playing time. I would like to sell them, but no takers so far.
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RE: Brick & Mortar Music Stores
@Dr-GO said in Brick & Mortar Music Stores:
@djeffers78 said in Brick & Mortar Music Stores:
Wow!
Cincinnati has still quite a few mom and pop music shops.djeffers. Do you know if Buddy Rodger's Music is still around. I use to teach trumpet lessons at their North College Hill location when in college at the University of Cincinnati. I remembered they had an excellent selection of sheet music... and instructors as well!
My parents rented my first cornet from Buddy Rogers back in 1963. My dad taught at North College Hill High School from 58' until 67'
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RE: Favorite Music
This is the song that got me started (no pun intended) on trumpet. Al Hirt playing I Can't Get Started.
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RE: Soon to be my new Bobby Herriot model Getzen
Aw, man. I'm just getting over a respiratory infection. You made me laugh so hard I coughed my (unicorn) @ss off.
Latest posts made by Mike Ansberry
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RE: Olds Recording 1966/67- $1000
@mike-ansberry Price drop: $900 plus shipping.
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I need a mouthpiece receiver for a 1951/51 Olds Recording trumpet.
I need a mouthpiece receiver for a 1951/51 Olds Recording trumpet.
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RE: Using Drones to work on intonation
Somebodt on the oTHer site suggested I try Noteflight. i saved my Sib files as .mid and imported them to NF. It gave me recordings with a nice, straight sound. Most helpful in acclimating to my "new"
Olds Recording. -
RE: How Does The Theory You've Learned Apply To Improvising?
@kehaulani said in How Does The Theory You've Learned Apply To Improvising?:
One doesn't so much forget what one's learned as much as learned it so well, one has internalized the material so that it comes by second nature.BINGO!!!!!
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Using Drones to work on intonation
I have written whole note and half note exercises using Sibelius. Some exercises are from low C to F on top of the staff. Some range from C on the staff to G above high C. I have used Sibelius to convert the exercises into a .wav file and imported it to ProTools. I record myself playing along with it and then listen back to see how what I thought was happening compared to what was actually happening. I find this exercise to be very helpful to playing well in tune.
My problem is that as far as I can find out, you can't make Sibelius stop using vibrato. This is kind of annoying. Anybody know how to fix this?
Mike
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RE: Pleased with my progress using Balanced Embouchure
@rowuk Thanks for the input. I just got a new computer and it has no sound input built in. I am waiting on a Focusrite 2i2. When it gets here I'll do some recording. Listening to yourself is for sure a good way to judge progress and plot ways to improve. I am also anxious to listen to my improv. I've been working on it and I think maybe I don't totally suck anymore.
I play in a couple of big bands, a couple of small jazz quintets, and a couple of horn band rock groups. It sounds like a lot more than it really is. With all that combined I'm actually working one or two gigs a month when we aren't in the pandemic. The Balanced Embouchure workout has made C up to Eb feel like middle range. When I get the Focusrite in I'll record some of the horn band stuff and see what the high notes sound like. I am hopeful.
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Pleased with my progress using Balanced Embouchure
I posted this over at TH but thought I'd share it here too:
I'm really happy with the progress I've made using BE. In addition to my BE routine and other stuff I've added playing real book melodies up an octave. I have been able to play tunes up to the G above high C. I don't claim to own that note. It is thin and ugly, but it is there. During my BE routine I can play exercises above the G, some days up to double C. But again they are not really usable yet. But they are there. My endurance is also way up.
I am very anxious to have a gig. I haven't played a gig since March. I hope what I have worked on in practice will translate to the job. The proof is in the pudding where the rubber meets the road.
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RE: Complete Beginner
@georgeb said in Complete Beginner:
@trumpetlearner
There are lots of folks here will give you good advice, but not having a professional standing beside you to see what you are doing wrong can lead to developing a lot of bad habits. An you will do things wrong, believe me. Posture and proper breathing are good examples.Indeed. Getting some lessons with a real player would be the best idea. Skype or Zoom maybe.