@Richard-III said in Why not another thread about bigger horns ?:
I spend most of my time playing french horn. Or as we like to call it, horn. Does that qualify as a bigger horn?
As for why there isn't another thread, possibly because players of other horns don't spend all their time talking about it online?
Check out http://www.themouthpiece.com/forum/ , https://www.trombonechat.com/index.php , and https://forum.saxontheweb.net/forum.php .
Here's the horn with the best intonation that I've played so far, my c.1983 Yamaha YFH-731, purchased new and modified by an exceptional tech who allowed me to assist him and work with him from time to time. He was always willing to show me how to do anything I was interested in.
When I bought my Olds Studio trombone, I had expected there to be some form of counterweight, like a weighted tuning slide brace. No such luck. The tuning slide appears to have been replaced, so maybe the original had this feature. I found an Ambassador counterweight, which I installed, and it does an adequate job.
@Newell-Post She's on LinkedIn and indirectly on Facebook. I have no account with either, so if someone does wants to contact her, this would be the easy way.
@Newell-Post said in Favorite Cornet:
@King_Conng That is the most unhinged thing I have ever seen a person do.
Makes me wonder why they didn't take the water key levers while they were at it.
Playing in the extreme upper register is relatively easy if you use the right equipment:
Before TM went down for what appears to be the final time, there was a troll that bragged about being able to circumvent whatever barriers there may have been to prevent him from inflicting himself on the forum. Coincidence? 
@King_Conng said in Favorite Cornet:
Hello everyone, first post here on this forum. I have settled on an old 1977 bach 181ml strad cornet. Unfortunately, a few months ago someone stole the slides and valves, so for now my favorite horn is a first-version yamaha ycr-2310. The large bore and bell, combined with the right mouthpiece, gives it a flugel-like sound. For the life of me, I can't figure out why they didn't just take the whole horn, maybe so it can't be tracked via serial number? If anyone has some valves and slides for a strad, I'm looking...
Welcome!
A thief will steal a penny from you and take great pleasure and satisfaction that he has power to deprive you of the property that you earned, but still considers rightfully his. I hope you are able to find the criminal and prosecute to the fullest extent of the law.
Here's my perpetual wear watch. I take it off occasionally to clean it. When I got it, it had been in the box for I don't know how long. I deliberately opened it in a completely dark room to see how well the luminous dial worked after not having been exposed to light for a while. It was bright! It has lost some of its luminosity now. Among other features, I like the exhibition back.
I've been having problems uploading images, so here are the Imgur links:
Let's see if I can make an image appear. The files on my computer were too large to download, so I tried Imgur.
Thanks to adc for getting me interested in the York Perfec-Tone and for helping me get a tuning slide that would get mine to tune to A=440.
It's good to see you over here now, Peter. We still recognize you... and your "weight" loss. Your hints helped, though.
It's long gone now, but my first Bach was a new 1966 Stradivarius Model 37 ML, one of the early Elkhart models. I was upgrading from my Selmer Signet Silver Special (How's that for alliteration?) cornet during my last year in high school. I compared the Bach with a King Silversonic, an Olds Mendez, and an Olds Recording.
The King didn't do much for me, and it was a newer version of my band director's trumpet, which he had let me play also. The Mendez played quite nicely and responsively, and the Recording was OK, too, in its own very different way, but the Bach (for me) was just magic. I didn't play It, I just played! I was able to get the occasional paying gig from time to time with it. Sold it after college. Color me stupid.
Nine or ten years later, when I had resumed playing trumpet again (stories for another time), I ordered a (1984, I think) silver 72*, which played almost as well as my friend's 72* of the same year of manufacture. It suited me at the time, however, I got paid to play once in a while, and I kept it for decades (another story for another time). I loved it, it had great response, perfect valves (Never played a Bach that didn't.), and had what I thought at the time was a fairly dark timbre, which one would expect from the 72 bell shape... until I made a point of recording myself and discovered that it sounded brighter in front of the bell than behind it. I ended up selling it. It did have great flexibility as far as being able to tailor the sound to the music.
I don't miss it; I was happy to have the next owner enjoy it. I'd like to have that 37 back, though.
@N1684T MJ was not a prolific participant, but he would comment from time to time and leave a "Like" or two or three when what he read moved him to do so. Latest post? Maybe a couple of months now.
@Kehaulani said in Archive Retrieval Procedure For TM:
Pardon me for asking, ('cause I just don't know), but what is there of so much worth on TM that one wants to access or download?
Lots of comprehensive info on many subjects of interest and importance. I used the search function to find many things I wanted to review/revisit/clarify/update. I saw no such depth on anoTHer website.
I never had a sense that MJ was anything but cordial, caring, responsible and professional; I can't imagine him abandoning TM. I hope that TM didn't succumb to sabotage, like I believe BrassReview did, but it's not out of the question. I hope that MJ is well, but I'm not convinced that he is.
@N1684T said in Great Idea!:
Its the "vote" right? To he right of Replay and Quote?
Yes, and if it already has a number, you can hover over it and see who voted.
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