Did anyone made a copy of "The Circle of Breath"

Kehaulani

Seems to me. I'm not sure that is the goal as much as part of the process and an end effect. Might be a matter of semantics. What I take away from it is a way of visualizing the use of inhaling and exhale in a continuum (cycle) that avoids a stop and start concept of breath use.

ROWUK

@JorgePD said in Did anyone made a copy of "The Circle of Breath":

So based on what I’m reading here, the Circle of Breath is more than just a breathing exercise. It also helps to relax the body and mind, which prepares us to be more effective when playing the trumpet. Is that correct?

It is simply a collection of things that work well together with a clear order to what to do when.

Kehaulani

Bump.

I thought I had a copy of this and I've searched mightily. It's a worthy piece for anyone and should really be a sticky. Can anyone post this? Thank you.

@Kehaulani said in Did anyone made a copy of "The Circle of Breath":

I am not commenting on its content, just reproducing rowuk's procedure for anyone who wants it.

Thank you Kehaulani.

@Kehaulani said in Did anyone made a copy of "The Circle of Breath":

What I take away from it is a way of visualizing the use of inhaling and exhale in a continuum (cycle) that avoids a stop and start concept of breath use.

We use visualization a lot when describing ways of doing things like breathing. One example is to imagine a hole in the small of one's back about the size of a tennis ball. When a breath is taken, imagine the air being sucked in through the hole which makes the area around the belt buckle to go out.
Something that really helps with breathing (believe it or not) is listening. Something to try! When you play your horn, treat the room like its part of the instrument (which it is).
One of the biggest things I deal with when teaching students is the importance of listening to the room. Different rooms fill up differently. Some have echoes, some are dead. But when the room is listened to when we play the trumpet, we have a better aural picture of our sound.

Kehaulani

Here we go. Thanks to an anonymous donor:

p.s. Can we make this a sticky?

Circle of Breath
New
By popular demand: the circle of breath:

The first step is a prepared body. If our chest cavity is "collapsed", we have to inflate it with force. That is pretty stupid. When we are sitting or standing up straight but relaxed (yoga is VERY good for this), all we have to do is inhale. We can get a huge amount of air without having to pressurize the lungs by force. Learning to prepare the body for playing is easy with beginners and increasingly difficult for players with more experience as they have to break habits to make new ones! It is important to have this activity monitored.
Once the body is big and relaxed, we draw a big circle. The left side (moving clockwise) is inhale and the right side is exhale. Notice at the top and bottom of the circle that it is still round - no disturbances. Our transition from inhale to exhale and exhale to inhale must mirror that. We do not hold air in, it is either moving in or out. We have to practice getting BIG breaths without building up tension in the throat or upper body. We use the diaphragm to inhale, but subconsciously. We don't need to think about how those muscles work, we just give them the big, relaxed body and they know what to do!
We do not need to "push" our air out, we just exhale. Generally students have a BIG problem getting a big breath and then just exhaling. There is so much "learned" tension present that they need weeks to get this down.
Once our breathing works (in my lessons that means when I am satisfied - not when the student thinks that they are done), then we replace exhale with play. We do not tongue notes, we just switch to exhale and what happens, happens. The goal here is to develop the breathing apparatus and lips so that we are so relaxed that sound comes at the peak of the circle with no kickstart by the tongue. A couple of weeks of long tones this way shows us a lot about everything that we have been doing wrong. Notice how Rashawn in the youtube just exhales a triple C? Completely free of hard work! This is how it has to work in every register. Just exhale the note.
When I am happy with this stage, the student exhales into lipslurs - same principle - no tongue! Just exhale! Another couple weeks goes by to "perfect" this (it is never perfect) and we have made a considerable step forward. Our tone is no longer dependent on the tongue to reliably speak - regardless of how high or low, loud or soft. Generally with no tongue applied, we can lip slur a fifth to an octave more than we had before. The range caves when making music because we are still missing too much stuff.
At this point I have very specific things to learn to add the tongue. Critical here is that we do not use the sledgehammer tonguing that we needed when we were using pressure, we have to develop infinitely small "T", "D", "K", "G", "L", "R" attacks that are only used to "articulate" the beginning of the tone that occurs at the peak of the Circle of Breath. The tonguing must occur EXACTLY at the point where we switch from in- to exhale. If we tongue too early or late, we screw up the transition. This means we are back to long tones and trained ears and eyes to insure that old habits don't screw up what we have now carefully built. Once long tones work, we can tongue the initial intro into the lip slur. If our tone without attack was clean, the articulation is only frosting on top of the cake!
Following this, the student gets easy tunes like from the hymnbook and we work on proper breathing and articulation of real music.

This Circle of Breath is as far as I am concerned the biggest deal in trumpet playing. Without being able to do this, the rest can't ever click. It is as simple as inhale/exhale. The problem is understanding what we have done to ourselves: how sloppy we sit, stand, walk. How crappy our posture is, how caved in our upper body is, how tense our neck and shoulders are because we hang our heads, how brutal our tonguing is to kickstart a screwed embouchure that uses excessive pressure to enable playing at all. In addition we have a learned unwillingness to accept very small steps of improvement because we have learned to download cheats and believe the idiots that claim to have silver bullets for problems. We do not even notice the small improvements and therefore get frustrated that we haven't experienced the "miracle". I won't even get into lifestyle and attitude.

The human state is a product of what we repeatedly do. We need challenges and successes. We need the wisdom to prepare ourselves adequately for the challenges any time that we can. That foundation can carry us a long way if it is solid.

I am very passionate about process and that is why people get angry with my "approach". I don't really care. They can put me on their ignore list, go somewhere else or rally enough people to drive me off. TrumpetMaster is for free and to be honest, I am here because what I do has helped quite a few. If the community changes for what I consider to be the worse, I have no financial or emotional ties.