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    Are you a collector? Why?

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    • grune
      grune last edited by

      In my lifetime, I have seen many people collects horns of all sorts, but was too shy to ask why. Are you such a person? Why collect?

      Bach Stradivarius Model 37 in silver [180S37], ca 1972.

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      • Dale Proctor
        Dale Proctor last edited by

        I’ve bought numerous trumpets and cornets over the years. I bought specific ones that were cheap enough, mainly because I wondered how they would play. If I didn’t like them, I would sell them for about what I paid, and if they had potential, I’d hang on to them till I decided. Some I kept for years, so eventually I had a “collection”. Realizing that I was accumulating too many instruments a few years ago, I sold a bunch of them that I rarely played, even though they played really well. I designated the others as “keepers”. Those were the horns that I regularly played (some in various keys), had sentimental value, or were really nice antiques. In the last 5 or 6 years, I’ve bought only one trumpet, a deal that was too good to pass up, and still have it.

        Presently, I have 3 Bb trumpets, a C trumpet, an Eb/D trumpet, 2 modern Bb cornets, 2 antique cornets, a flugelhorn, and a good field trumpet (bugle). Other than one of the Bb trumpets and the 2 antique cornets, they are all useful to me, so I suppose it’s not really a collection any more.

        1977 Bach Strad ML 43 trumpet
        1960 Conn 6B Victor trumpet
        1982 Bach Strad ML 239 C trumpet
        1970 Olds Ambassador Eb/D trumpet
        1993 Bach Strad L 184G cornet
        1962 Conn 9A Victor cornet
        1890 Besson A/Bb/C cornet
        1870? Henry Lehnert SARV cornet

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        • Dr GO
          Dr GO last edited by Dr GO

          I have collected over the years, but will provide the logic to my accumulation of horns in order of procurement.

          Olds Ambassador - My parents bought this as my first horn when in 5th grade

          Olds Recording - Fullerton - My parents bought this for me when starting high school, mainly as my trumpet teacher at that time recommended, I move to that horn. My younger brother then had my Ambassador as a hand-me-down. My brother gave it back to me many years later, very damaged so had it refurbished by Tome Greene.

          Getzen 4-Valve Eterna - Went professional in College and acquired this horn as I was enthralled by Rick Braun's sound and this was the horn he was playing at that time.

          Martin Committee - Was playing more and more small ensemble gigs and had the chance to play this horn at a Trumpet Hang. Fell in love with the feel and sound. Would up finding a great buy on e-bay for a vintage 1946 horn rarely played, and sold by a wife after the original owners passing. Came with original case, mouthpiece, and owner's manual. Replaced my Recording as my jazz horn. Still used Recording for classical.

          Kanstul 4-Valve Flugelhorn - Was playing more ensemble recording sessions and this horn had the buttery sound that made it all perfect. Discovered this at the same Trumpet hang as the Martin Committee. That was a very expensive Trumpet Hang. Purchased this horn through Bruce Haag, that has the distinction of being in Elvis's Las Vagas Band.

          Olds Recording - LA - Bought this from a TrumpetMater member when he was selling horns to help pay for his wife's cancer treatments. Use it for classical alternating with the Fullerton. To me they have identical blows. The LA carries the edge on the engraving. His wife by the way was completely cured!

          Allora Pocket Trumpet - Had to travel to Saudia Arabia for business, but needed to play for the extended stay to keep my embouchure. Was told music was illegal so bought this dirt cheap horn in case it was confiscated. It was. Three times. Went through Security Administrator all 3 times to get it back when I promised I would only play it in the hotel room with my Yamaha Silent Mute. Got it returned each time. (Did play it once out in a remote desert - nobody heard this, still have my lips to prove it).

          Olds Super Recording - Had to buy it when ANA Mendez called this the unicorn on TrumpetMaster. It did serve as my lead horn until I finally received my Harrelson (see below). It served its purpose well. A very easy blow. (It took 4 years to build the Harrelson).

          Getzen Power Bore - Totally an impulse buy from a close friend and member of both TM and TB. He sold it to me for a price I could not refused. I also used this as a lead horn until I got my Harrelson, but this horn works even better at the second chair of a big band as it slots like a laser.

          Harrelson Summit - Was playing lead trumpet, more often and regularly. Getting older was not helping. Got to play this model at a show that came through Dayton and fell in love with it so placed an order. That was during the time soon Jason had his stroke, but he recovered fully and he finally built me this horn at the price when I ordered it and threw in a Gold 5 mm mouthpiece as well for my patience and understanding. This has made the blow so amazingly easy... and has built my biceps.

          Allora Pocket Trumpet 2014
          Harrelson Summit 2017
          Kanstul 1526 2012
          Getzen Power Bore 1961
          Getzen Eterna 4-Valve Fulgelhorn 1974
          Martin Committee 1946
          Olds Super Recording 1940
          Olds Recording (LA) 1953
          Olds Recording (Fullerton) 1967
          Olds Ambassador 1965

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          • M
            mediocreplayer last edited by

            For the last year and a half, I've been purchasing various horns going on safari. I'm not sure I classify myself as a collector now that I've sampled so many different horns and I've settled more or less on what I will play long term. If I was younger, I certainly wouldn't have done this but my finances are such that I don't have to be a spendthrift anymore. So I buy what I'd like to try and I'll turn around and sell what I don't want. Half the horns I bought were cheap to begin with so I'm not too worried about losing money on them. As for the more expensive ones, the boutique maker instruments are just hard to find and try before you buy. So I'm a bit more frugal about buying several of those. I'll sell the ones I don't want for a reduced price and be happy that someone else will get an opportunity to try these wonderful horns for themselves without having to spend full retail.

            Dr GO 1 Reply Last reply Reply Quote 0
            • Dr GO
              Dr GO @mediocreplayer last edited by Dr GO

              @mediocreplayer said in Are you a collector? Why?:

              ...Half the horns I bought were cheap to begin with so I'm not too worried about losing money on them. ..I'll sell the ones I don't want for a reduced price and be happy that someone else will get an opportunity to try these wonderful horns for themselves without having to spend full retail.

              Watch for my obituary as I am sure my wife will likely be selling off my horns, hopefully for a good deal when I go (I turn 70 tomorrow), except for my Fulletron Olds Recording. I instructed her to put my ashes in that horn.

              Allora Pocket Trumpet 2014
              Harrelson Summit 2017
              Kanstul 1526 2012
              Getzen Power Bore 1961
              Getzen Eterna 4-Valve Fulgelhorn 1974
              Martin Committee 1946
              Olds Super Recording 1940
              Olds Recording (LA) 1953
              Olds Recording (Fullerton) 1967
              Olds Ambassador 1965

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              • barliman2001
                barliman2001 Global Moderator last edited by

                "Collecting" is a very bland word for the quirks and quandaries of fate that lead to accumulating horns...
                I won my first trumpet in a raffle. Rather a bugle - just a tube, a bell, and something that today reminds me somewhat of a proper mouthpiece. Tried it out, got some noise out of it, and next morning went into the nearest music shop and bought myself what was advertised as a "complete trumpet kit". Chinese "Comet" TSO, mouthpiece, case, oil, white gloves.
                Experimented for a week, and then took courage and money in my hands and got myself a Bach Strad 239 (C trumpet with Bb slides). And from that day onwards, I was hooked. Many horns came and went:
                Bach Strad Rotary C
                Bach Strad F
                Stomvi - Elite C, D/Eb, Picc; Forte Pocket
                Besson Kanstul Picc
                Selmer K-Mod, 2 Bb/A piccs, G picc
                Scherzer G picc
                Ganter: G5 Bb rotary, G3 D rotary, G7A Bb rotary, Custom, G 15 rotary flugel, P50 (piston Bb)
                Votruba Pro rotary flugel
                Thomann Black Jazz flugel (only four weeks)
                Courtois 154R flugel
                Dowids Jazzline Custom
                Weltklang Bb cornet
                Besson International Bb cornet (2)
                Besson Imperial Class A Bb cornet
                Besson pre-Imperial Bb/A cornet
                Buescher Aristocrat #9, #12, 264
                Buescher Aristocrat 244 Bb cornet
                Olds Ambassador, Special, Studio, Recording
                Courtois Balanced Bb (2)
                Courtois 1970s Bb cornet

                King Tempo cornet
                Anonymous French cornet, around 1910
                Besson Sovereign Round Stamp soprano cornet
                ACB doubler's picc
                That's all I can remember; I've put those in bold that are still with me.
                Currently, I am paying for a Kühnl & Hoyer Eb bass trumpet.

                Courtois Balanced
                Courtois D
                Olds Recording
                Buescher Aristocrat
                Gaudet C
                Selmer G
                Courtois 154 Flugelhorn
                Besson International Bb cornet
                Courtois Bb cornet
                B&H Sovereign Soprano Cornet
                B&H Sovereign trombone
                Willy Garreis trombone
                Weltklang Euph

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