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    What's Going On Here ?

    Comeback Players
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    • GeorgeB
      GeorgeB last edited by GeorgeB

      Our old band practice sessions, before the Covid 19 shutdown, always ran for 90 minutes and although some difficult pieces could wear my chops down near the end of our sessions, I had been managing quite well.
      Now, our 90 minutes under Covid rules goes like this: we play 30 minutes, take a 20 minute break and leave the room while the air is being exchanged, come back and play the final 40 minutes. Here's what's bothering me, after the 20 minute break my chops are just not working as well as they did when we played 90 minutes non stop.
      Any idea why this is happening ?

      1960s King Super 20 Silversonic, 1940 Olds Recording, 1942 Buescher True Tone 400 ,1999 Conn Vintage One Bb trumpet, A 1952 Selmer Paris, A 2020 Getzen 400 and a Manchester Brass ACB custom pro Bb trumpet, a 1962 Conn Victor 5A Cornet.

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      • Dr GO
        Dr GO last edited by

        I am thinking edema, as even the slightest bit of swelling can change the embouchure. Sucking on an ice cube immediately after starting the break may help.

        Allora Pocket Trumpet 2014
        Harrelson Summit 2017
        Kanstul 1526 2012
        Getzen Power Bore 1961
        Getzen Eterna 4-Valve Fulgelhorn 1974
        Martin Committee 1946
        Olds Super Recording 1940
        Olds Recording (LA) 1953
        Olds Recording (Fullerton) 1967
        Olds Ambassador 1965

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        • GeorgeB
          GeorgeB @Dr GO last edited by GeorgeB

          @Dr-GO
          Thanks, Doc, I've used ice cubes in the past to alleviate the swelling after a difficult concert. In the hall where we practice there is no freezer or refrigerator so that is out during that practice break. I suppose I could do 20 minutes of horse laughs with the lips...lol !

          1960s King Super 20 Silversonic, 1940 Olds Recording, 1942 Buescher True Tone 400 ,1999 Conn Vintage One Bb trumpet, A 1952 Selmer Paris, A 2020 Getzen 400 and a Manchester Brass ACB custom pro Bb trumpet, a 1962 Conn Victor 5A Cornet.

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          • Dr GO
            Dr GO last edited by

            You can bring cubes with you in a thermos.

            Allora Pocket Trumpet 2014
            Harrelson Summit 2017
            Kanstul 1526 2012
            Getzen Power Bore 1961
            Getzen Eterna 4-Valve Fulgelhorn 1974
            Martin Committee 1946
            Olds Super Recording 1940
            Olds Recording (LA) 1953
            Olds Recording (Fullerton) 1967
            Olds Ambassador 1965

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            • Dr GO
              Dr GO last edited by

              Alternatively you could kiss the viola player.

              Allora Pocket Trumpet 2014
              Harrelson Summit 2017
              Kanstul 1526 2012
              Getzen Power Bore 1961
              Getzen Eterna 4-Valve Fulgelhorn 1974
              Martin Committee 1946
              Olds Super Recording 1940
              Olds Recording (LA) 1953
              Olds Recording (Fullerton) 1967
              Olds Ambassador 1965

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              • Dr GO
                Dr GO last edited by

                Massaging the lip for 5 minutes or so periodically would also be an option.

                Allora Pocket Trumpet 2014
                Harrelson Summit 2017
                Kanstul 1526 2012
                Getzen Power Bore 1961
                Getzen Eterna 4-Valve Fulgelhorn 1974
                Martin Committee 1946
                Olds Super Recording 1940
                Olds Recording (LA) 1953
                Olds Recording (Fullerton) 1967
                Olds Ambassador 1965

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                • GeorgeB
                  GeorgeB last edited by

                  Well, looks like I have lots of options. But I'm really not so sure it's swollen lips, and even if they were swollen, shouldn't they recover during that 20 minute break ?

                  1960s King Super 20 Silversonic, 1940 Olds Recording, 1942 Buescher True Tone 400 ,1999 Conn Vintage One Bb trumpet, A 1952 Selmer Paris, A 2020 Getzen 400 and a Manchester Brass ACB custom pro Bb trumpet, a 1962 Conn Victor 5A Cornet.

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                  • Kehaulani
                    Kehaulani Credentialed Professional last edited by

                    What about symphonic players who might sit very long times without playing, or studio players who come in, blow just a couple of note and record? How is your personal practice?

                    Do you play in intervals and then take a rest and then play again, or just blow through and end. You should develop a consistent rehearsal schedule to reflect the playing schedule.

                    Do you blow gentle long tones before coming off of a break?

                    You may not need exotic methods. just common sense practicing and preparation.

                    I'm not saying what works for one works for all, but I've played formal classical concerts, big band playing and pop combo work and never did much more than play a few notes.

                    Benge 3X
                    Martin Committee
                    Getzen Capri Cornet
                    Adams F-1 Flugelhorn

                    "If you don't live it, it won't come out of your horn."
                    Charlie Parker

                    "Even if I could play like Wynton Marsalis, I wouldn't play like Wynton Marsalis."
                    Chet Baker

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                    • GeorgeB
                      GeorgeB @Kehaulani last edited by GeorgeB

                      @Kehaulani
                      I have no problems with my chops when I practice at home, and never had problems with the band until we started that play 30 minutes, break 20 and play 40 minutes. I just find my chops don't always work well during that last 40 minutes and never had a problem before the Covid changes when I had to play 90 minutes pretty much non stop.

                      It's weird but I'm hoping it will work itself out once my old chops adjust to this new arrangement.
                      As far as blowing gentle long tones coming off the break, I don't get a chance because the minute we are back in the practice room we start playing again. But I'll try to sneak a few of those in next week.

                      1960s King Super 20 Silversonic, 1940 Olds Recording, 1942 Buescher True Tone 400 ,1999 Conn Vintage One Bb trumpet, A 1952 Selmer Paris, A 2020 Getzen 400 and a Manchester Brass ACB custom pro Bb trumpet, a 1962 Conn Victor 5A Cornet.

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                      • flugelgirl
                        flugelgirl Qualified Repair Techs Veterans & Military Musicians last edited by

                        One of the other things that may have changed during your time off from playing with a group is your endurance. Endurance when playing on our own is easier - when playing with a group we’re doing a whole lot of work adjusting the the intonation of others, and in this case others who may not have had the best personal practice habits during the time off.I find it’s more tiring to play with beginner or amateur groups than with pros because of the intonation problems.

                        Daily players: Adams A1, A4LT, F2 flugel , CN1 cornet.
                        Schagerl Raweni
                        Puje 3am(named for me), Benge pocket
                        Schilke P5-4, C5L
                        Yamaha 761 Eb/D
                        Lots of vintage toys

                        Dr GO 1 Reply Last reply Reply Quote 1
                        • Dr GO
                          Dr GO @GeorgeB last edited by

                          @GeorgeB said in What's Going On Here ?:

                          Well, looks like I have lots of options. But I'm really not so sure it's swollen lips, and even if they were swollen, shouldn't they recover during that 20 minute break ?

                          Not if you let the edema collect... hence applying ice or message.

                          Allora Pocket Trumpet 2014
                          Harrelson Summit 2017
                          Kanstul 1526 2012
                          Getzen Power Bore 1961
                          Getzen Eterna 4-Valve Fulgelhorn 1974
                          Martin Committee 1946
                          Olds Super Recording 1940
                          Olds Recording (LA) 1953
                          Olds Recording (Fullerton) 1967
                          Olds Ambassador 1965

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                          • Dr GO
                            Dr GO @flugelgirl last edited by

                            @flugelgirl said in What's Going On Here ?:

                            One of the other things that may have changed during your time off from playing with a group is your endurance. Endurance when playing on our own is easier - when playing with a group we’re doing a whole lot of work adjusting the the intonation of others, and in this case others who may not have had the best personal practice habits during the time off.I find it’s more tiring to play with beginner or amateur groups than with pros because of the intonation problems.

                            I agree this is another option. Endurance would imply fatigue. Once again, fatigue is the result of the collection of lactic acid into the muscle. Again, in this case massage will help blood flow into the lip to help remove the lactic acid.

                            Allora Pocket Trumpet 2014
                            Harrelson Summit 2017
                            Kanstul 1526 2012
                            Getzen Power Bore 1961
                            Getzen Eterna 4-Valve Fulgelhorn 1974
                            Martin Committee 1946
                            Olds Super Recording 1940
                            Olds Recording (LA) 1953
                            Olds Recording (Fullerton) 1967
                            Olds Ambassador 1965

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                            • GeorgeB
                              GeorgeB last edited by

                              The thing is, when our practice sessions ran for 90 minutes without a break, my endurance and playing was just fine. This weirdness just started when we had to take a 20 minute break and leave the room so the air could be changed to get rid of the aerosol.
                              Thanks for your input and suggestions.

                              1960s King Super 20 Silversonic, 1940 Olds Recording, 1942 Buescher True Tone 400 ,1999 Conn Vintage One Bb trumpet, A 1952 Selmer Paris, A 2020 Getzen 400 and a Manchester Brass ACB custom pro Bb trumpet, a 1962 Conn Victor 5A Cornet.

                              Dr GO 1 Reply Last reply Reply Quote 0
                              • Dr GO
                                Dr GO @GeorgeB last edited by

                                @GeorgeB said in What's Going On Here ?:

                                The thing is, when our practice sessions ran for 90 minutes without a break, my endurance and playing was just fine. This weirdness just started when we had to take a 20 minute break and leave the room so the air could be changed to get rid of the aerosol.
                                Thanks for your input and suggestions.

                                Which is why I believe edema (swelling) is more likely than fatigue.

                                Allora Pocket Trumpet 2014
                                Harrelson Summit 2017
                                Kanstul 1526 2012
                                Getzen Power Bore 1961
                                Getzen Eterna 4-Valve Fulgelhorn 1974
                                Martin Committee 1946
                                Olds Super Recording 1940
                                Olds Recording (LA) 1953
                                Olds Recording (Fullerton) 1967
                                Olds Ambassador 1965

                                GeorgeB 1 Reply Last reply Reply Quote 0
                                • GeorgeB
                                  GeorgeB @Dr GO last edited by

                                  @Dr-GO
                                  Thanks, Doc.

                                  1960s King Super 20 Silversonic, 1940 Olds Recording, 1942 Buescher True Tone 400 ,1999 Conn Vintage One Bb trumpet, A 1952 Selmer Paris, A 2020 Getzen 400 and a Manchester Brass ACB custom pro Bb trumpet, a 1962 Conn Victor 5A Cornet.

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                                  • GeorgeB
                                    GeorgeB last edited by GeorgeB

                                    Kehaulani's reply has given me an idea. Since I have never had a problem when playing our 90 minute band practice non stop before the Covid change, tomorrow, during the 20 minute break I am going to my car, sit in the back seat and play a series of easy exercises for about 15 minutes, taking rests between each exercise. Then we'll see what happens when we resume playing for the last 40 minutes of practice.

                                    I'll let you know how it goes.

                                    1960s King Super 20 Silversonic, 1940 Olds Recording, 1942 Buescher True Tone 400 ,1999 Conn Vintage One Bb trumpet, A 1952 Selmer Paris, A 2020 Getzen 400 and a Manchester Brass ACB custom pro Bb trumpet, a 1962 Conn Victor 5A Cornet.

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                                    • GeorgeB
                                      GeorgeB last edited by GeorgeB

                                      UPDATE

                                      Just want to let you all know that last night during the 20 minute break from practice, I went to my car in the parking lot, sat in the back seat and played a variety of easy exercises that included long tones, lip slurs and some scales including chromatic scales. I took a good rest between each exercise and figure I played about 12 or 13 minutes of the 20 minute break. When practice resumed I played the remaining 40 minutes of practice without any embouchure problems.
                                      I guess not playing for 20 minutes was encouraging edema. I don't know, but I do know I will be continuing to play during the breaks from now on.

                                      1960s King Super 20 Silversonic, 1940 Olds Recording, 1942 Buescher True Tone 400 ,1999 Conn Vintage One Bb trumpet, A 1952 Selmer Paris, A 2020 Getzen 400 and a Manchester Brass ACB custom pro Bb trumpet, a 1962 Conn Victor 5A Cornet.

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