Hello, everyone! I just want to take a moment to share my experience during my visit this past week at Harrelson trumpets. My wife was amazingly thoughtful when she got me plane tickets, hotel accommodations, setting up my appointment at Harrelson Trumpets, and giving me the green light to purchase a new $400 mouthpiece after I tried them out. I had some reservations at first, as I've been playing on mostly vintage equipment for the past 10+ years, and just plunked down about the same amount of money for a Mt. Vernon 3C, which up until my visit at Harrelson, was the best mouthpiece I've played on.

I know that many folks might say that the Mt. Vernon 3C is one of the "Holy Grail" trumpet mouthpieces, and I'd have to agree... mostly. It sounded great, and I was quite happy with it, but it did have some intonation issues. It played quite sharp in the lower register, as well as flat above the staff. This was manageable for the most part, and I thought that the extra work was worth it for the sound I was getting from using it. Nonetheless, I went out to Harrelson with an open mind, and lots of questions.

I met with Christine before Jason arrived, and she gave me a tour or the shop and showroom. I've seen so many of his YouTube videos, that I felt like I had been there before. Christine was super friendly, and we got started trying out some mouthpiece configurations. She set me up with something similar to my mouthpiece, and we kept trying different options until I found the right combination. She made a note on my invoice of a few of the other configurations I liked as well.

The first thing I experienced was that almost immediately, I realized that I needed to back off with my pressure, which isn't excessive, as well as my airflow. The mouthpiece has easily 2-3 times the mass of the Mt. Vernon, but responded almost effortlessly. Wow!

Jason arrived just as we settled on my configuration, and he took me over to try his horns. I tried one of the HT series first and was immediately impressed with how easy it was to play, even though it wouldn't have been the right leadpipe and bell combination for my style. I tried a couple of Summit trumpets, which were even better. Then I tried the Muse, along with the Gravity trumpet. I was floored! He setup the muse with a #4 leadpipe, and the #11 bell. In the lower register, it could play almost as dark as my flugelhorn, but when I pushed it a bit, it lit up, but with very little effort. The Gravity trumpet was insane! That one weighs in at just over 5 pounds, with huge bottom caps, and about a 1 inch thick solid brass leadpipe. Also, there is extra mass added to the valve block. I'm not sure I remember correctly, but I believe that it also had the #4 leadpipe, and a #7 bell. Looking at the horn, I was thinking that it would be stuffy, difficult to play, unresponsive. Wow!!! I could practically whisper into the mouthpiece, and the horn would just speak. I don't think I've ever been able to play at such a soft volume level with that amount of control. Jason was very friendly, and very relaxed. He wasn't trying to sell me anything, or being pushy at all. He happily answered all of my questions, and I must have spent about 4 hours there at the shop.

Bottom line, I have an amazing 5MM mouthpiece which is making it extremely difficult for me to put my horn down. I actually played for a few more hours with a practice mute back at the hotel. I'm also now 100% convinced that he makes the most efficient horns on the planet. (I haven't tried every horn on the planet yet, so I'll let you all know if that ever changes.) I'll be purchasing mouthpieces for my Flugel and cornet shortly, as well as some modifications for my Selmer until I can afford to take the plunge on a Muse MMXX of my own.

Anyone that's interested in an excellent condition Mt. Vernon 3C, you can find it listed on eBay and Reverb, along with quite a few of my other mouthpieces that I no longer require.

I know that Jason has quite a few haters on the forums, mostly from people that haven't played his horns or mouthpieces. That's a shame, really. He's a true innovator in my opinion. Maybe all of the science talk goes over most people's heads, or somehow puts them off. Everything he's doing makes complete sense, and now that I've experienced it first hand, I'm on team Harrelson!

-Bob!

I haven't owned a cornet in quite a few years. I used to have a late 1800's Conn that was pretty fun to play, but needed some work. My first horn was a beat up Conn 80a, probably from the 20's or 30's that my Dad was going to use to make a lamp.

I just picked up this 1960 Holton Straytodyne, and it plays like a dream. It could use a good professional cleaning and valve alignment, but I must have had it on my face for about 5 hours on Saturday. Couldn't put it down.

This has been my main horn for the past 15 years or so, but my sound concept has changed, so it's time for someone else to enjoy playing it.

Listed on eBay
https://www.ebay.com/itm/293065117303
Listed on Reverb
https://rvrb.io/1955-28b-connstell-5c0nqm
Message me if you have any questions about the horn, or are interested. Asking $1049.99. Thanks!

@amzi So sorry to hear about this. I hope that your recovery is going well so far. @Kehaulani I've been on most of these forums for a few years now, and was unaware of your situation until I read one of your posts recently. I 2nd @GeorgeB 's comment.

I actually had a minor stroke, or TIA back in March. It was actually a couple of days after Luke Perry passed away, and strangely enough, that probably saved my life. I was listening to NPR, and they were talking about how to recognize a stroke, which must have sank in, because I recognized the symptoms.

I was lucky to be at home when it happened. I had a bad cold, and stayed on the couch downstairs as to not get my wife sick. I overslept, and was late for work. When I tried to call them to say I'd be late, I couldn't talk. I hung up. Cleared my throat, blew my nose, and called back a few minutes later. Couldn't talk. I went upstairs to use the bathroom, and when I brushed my teeth, I couldn't spit the toothpaste out normally. The left side of my face was partially numb.

I walked into the bedroom, and woke my wife up. She thought I was joking around making noises, but she called 911. I was able to talk a bit in the ambulance about halfway to the ER. FYI, Afrin Nasal Spray and Tylenol cold medicine contain Oxymetazoline, which is a vaso-constrictor. I took them both the night before. I had been having bad headaches for almost a month while I had been using the nose spray, and thought it was just sinus pressure. Anyway...

I won't say that I'm fine now. If you don't know me, you wouldn't notice, but my speech is sluggish, and I sometimes struggle to find words, or just get stuck. My right hand is affected. A month ago, I couldn't type. The first week or so, I couldn't keep my fingers on the valves of my horn. I was off for a week and a half afterwards, and was determined to be able to play. I didn't care much about the typing. My embouchure is different now, as I rely a bit more on the muscles on the right side of my face now. I switched to a bigger rim diameter, as a 3C just didn't work anymore. (I told my doctors that I played the trumpet, and none of them specifically said not to play. I didn't ask them specifically, as I didn't want to hear the answer if it was no.)

What I've learned as a stroke newbie, is that if I'm tired, or under stress, my symptoms get much worse. When I get tired, I am completely wiped out, unlike anything I've felt before. I won't go as far as to say I get confused now, but my thought process is different now. My train of thought jumps the tracks frequently now. I went for physical, occupational, and speech therapy, and they all pretty much told me that I'm fine. I know that I'm not 100%, but like I said, they didn't know me, so they didn't really notice the difference.

I still have a few follow up appointments, and another MRI. I just had a cardio stress test last week, and was hooked up to a heart monitor for a month. (My chest hair is slowly growing back, but at least it's not itchy anymore.)

I'm doing my best to eat better, get exercise, and manage my stress (Mostly out of my control.)

Some days are frustrating, not just with playing, but with just everyday tasks. Other days are pretty good, and I need to remind myself not to push it too hard.

They say some things will come back, but I tend to look at it as needing to learn a new way to do certain things, which includes playing the trumpet. So far, it's my best occupational therapy. I'll be 50 next month, and my big present is my Martin Committee (Charlie Melk has it at the moment.) I'll be damned if I can't play it.

Be patient. Try not to get frustrated. Most importantly, take care of yourself.

I'm somewhat reluctantly selling a couple of my horns, as they don't get the attention they deserve since I bought my trusty 1970 Bach 37. I purchased this horn a couple of years ago from ACB, and the 3rd valve slide ring, thumb saddle, and Saturn water keys were added by Ian at IMBrass. Truly, a great horn, but just not the one for me. More pics and full description on eBay auction. Posting this one kind of late, as the auction ends tomorrow. Feel free to contact me here, or on eBay with any questions. I'm asking $1599, but am open to reasonable offers.

https://www.ebay.com/itm/293452703685

@ButchA So sorry for your loss.

@barliman2001 So happy to hear that you are recovering! Have fun in Sicily!

@tptguy I had a minor stroke 2 years ago, and have had constant ringing in my ears ever since. Some days it's louder than others, but definitely constant.
I've tried a couple of different apps on my phone, which are essentially white noise generators, and they have helped to some degree as far as getting a good night's sleep. Cricket sounds are the best that I've found to mask it, but I've been more annoyed that the apps seem to use a short loop, which has a noticeable start and end point, that makes it less effective. I have pretty much given up on getting rid of it, and am learning to live with it. Strangely enough, one of the only things that completely distracts me from hearing it is playing my horns. It shifts my focus.
For a while, I was certain it would drive me mad, but I was at least halfway there already.
I got my medical card last summer, and that also seems to help (was mainly for my arthritis), but I usually only use that in the evening.
At least it hasn't gotten any worse. It doesn't seem to effect my overall hearing, except for the times it's louder than usual. It's usually worst when I first get up in the morning.

For anyone else suffering from tinnitus, I feel your struggle, but I'd rather have the ringing than not being able to hear at all. Overall, I consider myself lucky.

I'm somewhat reluctantly selling a couple of my horns, as they don't get the attention they deserve. I've been mostly playing my 1970 Bach 37, and it seems to be the best fit for me and my playing. I'm hoping that I won't regret this one. I love it, but anyone that has played one probably knows that switching from a Bach to a Committee requires shifting many gears, at least it does for me.

1st slide work was done by Ian at IMBrass. Valve alignment and gap adjustment was done my Charlie Melk (He is the best!). Getting the right gap on this horn is essential! I recently had most of my back bores cut for Frost sleeves to close the gap completely with his #1 sleeve, and that did the trick for me.

I'm asking $2499, but I'm open to any reasonable offers. More pics and full description on eBay auction. Feel free to contact me here, or on eBay if you have any questions.

https://www.ebay.com/itm/293466620510

Check out my other auctions while you're there. I have a couple of mouthpieces listed, and will be gradually thinning out my vintage mute collection.

@administrator It's my '69 Selmer DeVille. I sent the artist a photo, and said to just do her thing.

@barliman2001 So happy to hear that you are recovering! Have fun in Sicily!

@barliman2001 So sorry to hear this. Hope you have a full recovery and are back in action soon! -Bob

Hi, Everyone!
I'm selling my Amati pocket trumpet and it's in great condition. I just don't use it as much as I thought I would, so hopefully it will find a player that will enjoy playing it. Feel free to message me with any questions here, or on eBay.

Here's a link to the auction...
https://www.ebay.com/itm/296003190607
-Bob

Hello, Everyone! I've decided to let go of my Cornet, as I have been finding it challenging with my schedule to find time just to play my Trumpet & Flugelhorn. It's a great horn, and deserves to be in the hands of someone that will actually play it. Feel free to message me here or on eBay with any questions.

Here's a link to the eBay auction...
https://www.ebay.com/itm/296003208642
-Bob

@j-jericho They are made with individually laser cut rings of Baltic Birch plywood. The resonators are solid Walnut (not plywood). The only minor change that I'm making, is switching to more traditional corks for the cup and straight mute. The composite cork just wasn't staying on very well.

I haven't had a chance to make new videos, but here are a couple that I posted to the Facebook page. -Bob

https://fb.watch/lFE3IHxVP8/

https://fb.watch/lFE5NCAwVk/

Hi, Everyone! I'm really excited to introduce everyone to my new line of trumpet mutes. Currently, I've released 3 different models, and I believe that they sound great! I hope to post some more videos when I have a chance over the weekend. Please, check them out at buddhabellymuteco.com, or my eBay store, https://www.ebay.com/usr/bobmiller369, where I have most of them listed. I'd love to hear everyone's thoughts. Thanks! -Bob

@rowuk Thanks, Robin!

I totally get what you're saying about waiting. Although I do have the tendency to be impulsive, I don't think that this was one of those times. Besides, I can always get pretty much an exact duplicate by ordering a different cup and backbore. He has several huge binders of mouthpiece scans, so if there's ever something else I'm curious to try, we can replicate it. The Mt. Vernon 3C sounded great, but like I mentioned, the intonation issues were borderline unmanageable. Lipping the notes in tune above the staff changed the tone quality, as it was far off center. It almost seemed like the entire range of the instrument was compressed on both ends. It wasn't just a few wonky notes, it was more like notes would gradually go flat as I went higher, and more sharp as I played lower. Don't get me wrong, the 5MM isn't 100% perfect, as I'm finding that I need to use the 1st and 3rd slide a bit, but not on notes I needed to before. But, it's fixed the overall intonation throughout my entire range. The notes are just there where they're supposed to be.

Wait 6 months? My wife and I were engaged after dating less than 3 months, and that was 9 years ago! -Bob

Hello, everyone! I just want to take a moment to share my experience during my visit this past week at Harrelson trumpets. My wife was amazingly thoughtful when she got me plane tickets, hotel accommodations, setting up my appointment at Harrelson Trumpets, and giving me the green light to purchase a new $400 mouthpiece after I tried them out. I had some reservations at first, as I've been playing on mostly vintage equipment for the past 10+ years, and just plunked down about the same amount of money for a Mt. Vernon 3C, which up until my visit at Harrelson, was the best mouthpiece I've played on.

I know that many folks might say that the Mt. Vernon 3C is one of the "Holy Grail" trumpet mouthpieces, and I'd have to agree... mostly. It sounded great, and I was quite happy with it, but it did have some intonation issues. It played quite sharp in the lower register, as well as flat above the staff. This was manageable for the most part, and I thought that the extra work was worth it for the sound I was getting from using it. Nonetheless, I went out to Harrelson with an open mind, and lots of questions.

I met with Christine before Jason arrived, and she gave me a tour or the shop and showroom. I've seen so many of his YouTube videos, that I felt like I had been there before. Christine was super friendly, and we got started trying out some mouthpiece configurations. She set me up with something similar to my mouthpiece, and we kept trying different options until I found the right combination. She made a note on my invoice of a few of the other configurations I liked as well.

The first thing I experienced was that almost immediately, I realized that I needed to back off with my pressure, which isn't excessive, as well as my airflow. The mouthpiece has easily 2-3 times the mass of the Mt. Vernon, but responded almost effortlessly. Wow!

Jason arrived just as we settled on my configuration, and he took me over to try his horns. I tried one of the HT series first and was immediately impressed with how easy it was to play, even though it wouldn't have been the right leadpipe and bell combination for my style. I tried a couple of Summit trumpets, which were even better. Then I tried the Muse, along with the Gravity trumpet. I was floored! He setup the muse with a #4 leadpipe, and the #11 bell. In the lower register, it could play almost as dark as my flugelhorn, but when I pushed it a bit, it lit up, but with very little effort. The Gravity trumpet was insane! That one weighs in at just over 5 pounds, with huge bottom caps, and about a 1 inch thick solid brass leadpipe. Also, there is extra mass added to the valve block. I'm not sure I remember correctly, but I believe that it also had the #4 leadpipe, and a #7 bell. Looking at the horn, I was thinking that it would be stuffy, difficult to play, unresponsive. Wow!!! I could practically whisper into the mouthpiece, and the horn would just speak. I don't think I've ever been able to play at such a soft volume level with that amount of control. Jason was very friendly, and very relaxed. He wasn't trying to sell me anything, or being pushy at all. He happily answered all of my questions, and I must have spent about 4 hours there at the shop.

Bottom line, I have an amazing 5MM mouthpiece which is making it extremely difficult for me to put my horn down. I actually played for a few more hours with a practice mute back at the hotel. I'm also now 100% convinced that he makes the most efficient horns on the planet. (I haven't tried every horn on the planet yet, so I'll let you all know if that ever changes.) I'll be purchasing mouthpieces for my Flugel and cornet shortly, as well as some modifications for my Selmer until I can afford to take the plunge on a Muse MMXX of my own.

Anyone that's interested in an excellent condition Mt. Vernon 3C, you can find it listed on eBay and Reverb, along with quite a few of my other mouthpieces that I no longer require.

I know that Jason has quite a few haters on the forums, mostly from people that haven't played his horns or mouthpieces. That's a shame, really. He's a true innovator in my opinion. Maybe all of the science talk goes over most people's heads, or somehow puts them off. Everything he's doing makes complete sense, and now that I've experienced it first hand, I'm on team Harrelson!

-Bob!

@barliman2001 Good ones! Will be sure to share with my Mom next time I see her.

@barliman2001 I grew up in a home where both of my parents were music teachers. Dad was a HS band director, and Mom was a violin teacher. Living in a house where most afternoons, the house would be filled with the awful sounds of beginner violin students was... well, let's just say that I could have done without it. Although, I did actually play the viola in middle school and HS, only partially against my will. (Clearly, the horn won.)

Those of you that don't know the difference between a violin and a viola...

Violas burn longer! (Unless they are also made of brass.)

Do luthiers know how to do proper dent removal? -Bob