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    Question on Caruso 6 notes

    Etudes and Exercises
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    • GeorgeB
      GeorgeB last edited by

      I do an hour exercise every morning ( 7 days a week ) and have been doing the Caruso 6 notes exercise at the very end of the session. I can't remember the person who made a video on youtube ( a teacher, I believe ) who says I should be doing just the opposite.
      So what is the correct procedure? Should I do Caruso at the beginning or at the end. It has been a huge help in developing my embouchure but perhaps things would be even better if I was doing the 6 notes at the beginning rather than the end of my practice session. How do you do the Caruso 6 notes ?

      1940 Olds Recording, 1942 Buescher True Tone 400 ,1999 Conn Vintage One Bb trumpet, A 1952 Selmer Paris, A 2020 Getzen 400 and a Manchester Brass ACB custom pro Bb trumpet, a 1962 Conn Victor 5A Cornet and a ACB Flugel Doubler.

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      • Kehaulani
        Kehaulani Credentialed Professional last edited by Kehaulani

        Julie Landsman says the Six-Note-Exercise is the first exercise she plays in the day. Landsman was a student of Caruso, is the Principal horn player with the Metropolitan Opera Orchestra for the last 25 years, and teaches at Juilliard. You don't get any better than she.

        BTW, don't forget to count in tempo.

        Yamaha 8310Z
        Benge 3X LA
        Weibster Cornet
        Adams F-1 Flugelhorn

        "If you don't live it, it won't come out of your horn."
        Charlie Parker

        "Even if I could play like Wynton Marsalis, I wouldn't play like Wynton Marsalis."

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        • GeorgeB
          GeorgeB @Kehaulani last edited by

          @Kehaulani
          Thanks, Kehaulani, you don't get any better than her, that's for sure. And yes, sir, 60 bpm every time I do it. So from tomorrow morning on, Caruso is first.

          1940 Olds Recording, 1942 Buescher True Tone 400 ,1999 Conn Vintage One Bb trumpet, A 1952 Selmer Paris, A 2020 Getzen 400 and a Manchester Brass ACB custom pro Bb trumpet, a 1962 Conn Victor 5A Cornet and a ACB Flugel Doubler.

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          • GeorgeB
            GeorgeB last edited by

            UNBELIEVABLE
            I am totally amazed that a practice routine like Caruso 6 notes can make such a huge difference by simply making it the first thing you do in an exercise session rather than the last.
            Simply put, this change seemed to set me up for everything I had planned to do for the entire hour this morning. Everything was better, including my morning tone, right up to extra ease in playing a set of expanding scales to high C, plus the final exercise of lip slurs ranging from below to well above the staff.
            Unbelievable.

            1940 Olds Recording, 1942 Buescher True Tone 400 ,1999 Conn Vintage One Bb trumpet, A 1952 Selmer Paris, A 2020 Getzen 400 and a Manchester Brass ACB custom pro Bb trumpet, a 1962 Conn Victor 5A Cornet and a ACB Flugel Doubler.

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            • Kehaulani
              Kehaulani Credentialed Professional last edited by

              Excellent!

              Yamaha 8310Z
              Benge 3X LA
              Weibster Cornet
              Adams F-1 Flugelhorn

              "If you don't live it, it won't come out of your horn."
              Charlie Parker

              "Even if I could play like Wynton Marsalis, I wouldn't play like Wynton Marsalis."

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              • flugelgirl
                flugelgirl Qualified Repair Techs last edited by

                Bob Findley uses this at the beginning of his method - he was a Caruso student as well. We focused quite a bit on it in yearly master classes I had with him at the music camp I went to growing up. A lot of the same principles apply with other methods, such as Claude Gordon.

                Daily players: Adams A1, A4LT, F2 flugel , CN1 cornet.
                Puje 3am(named for me), Benge pocket
                Schilke P5-4, C5L
                Yamaha 761 Eb/D
                Lots of vintage toys

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                • GeorgeB
                  GeorgeB last edited by

                  It sounds like it is meant to be played first, and after the wonderful experience I am enjoying, it just makes perfect sense.

                  1940 Olds Recording, 1942 Buescher True Tone 400 ,1999 Conn Vintage One Bb trumpet, A 1952 Selmer Paris, A 2020 Getzen 400 and a Manchester Brass ACB custom pro Bb trumpet, a 1962 Conn Victor 5A Cornet and a ACB Flugel Doubler.

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