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    Vocal warm-ups.

    Etudes and Exercises
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    • Vulgano Brother
      Vulgano Brother last edited by

      Vocal warm-ups.

      https://www.musicnotes.com/now/tips/enhance-your-voice-with-these-vocal-warm-ups-and-breathing-exercises/?utm_content=buffer6b63c&utm_medium=social&utm_source=facebook&utm_campaign=buffer

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      • Dr GO
        Dr GO last edited by Dr GO

        If I attempted a vocal performance.... Whether using these warm up routines or not.... The audience would end up GIVING ME the Exhaled Hiss! So I guess, warming up the audience isn't too bad of an idea!

        Allora Pocket Trumpet 2014
        Harrelson Summit 2017
        Kanstul 1526 2012
        Getzen Power Bore 1961
        Getzen Eterna 4-Valve Fulgelhorn 1974
        Martin Committee 1946
        Olds Super Recording 1940
        Olds Recording (LA) 1953
        Olds Recording (Fullerton) 1967
        Olds Ambassador 1965

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        • Dr GO
          Dr GO last edited by Dr GO

          HOWEVER: As trumpet players, we can absolutely benefit from either reading or thinking of the phrasing of the notes we play through vocal cues.

          Another teacher I studied under while living in New York City, Claudio Roditi, taught me the importance of stopping on difficult phrases, stepping back and then first attempt to sign then through, before picking up the horn and making another attempt to progress through the passage. With this skill (even if you can't carry a tune, like me) you can still feel the flow of the phasing through the larynx/pharynx and ear/mouth coordination. This technique makes it so much easier to understand were my trumpet phrasing is going wrong, and through vocal attempts, find the solution and then apply this to my trumpet phrasing approach.

          Allora Pocket Trumpet 2014
          Harrelson Summit 2017
          Kanstul 1526 2012
          Getzen Power Bore 1961
          Getzen Eterna 4-Valve Fulgelhorn 1974
          Martin Committee 1946
          Olds Super Recording 1940
          Olds Recording (LA) 1953
          Olds Recording (Fullerton) 1967
          Olds Ambassador 1965

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          • Dr GO
            Dr GO last edited by

            While not related to vocal "warm ups" there is another important concept to using vocal cues for phrasing passages on the trumpet. Another teacher, not necessarily formally but though default, actually his fault for choosing me for his quintet, Eddie Brookshire (a bassist) taught me the importance of reading the words written UNDER THE NOTES when they are present that takes priority over the notes that may be written above the words. Here is Eddie's wisdom behind this concept:

            Eddie sees the notes written as the song writer's way of "graphing" the phrasing of the lyrical component to a song. Songs are there to provide a message, and there is no stronger way to provide that message from the intent of the song writer then reproducing the word phrasing. But sometimes as Eddie describes, the graphical depiction of that quarter note, eighth note, dotted eighth note to sixteenth note just cannot accurately "graph" the spoken, written intent of the phrase. To get around this, just read the words, not the notes, and your phrasing as to the intent of the song writer will be spot on.

            Allora Pocket Trumpet 2014
            Harrelson Summit 2017
            Kanstul 1526 2012
            Getzen Power Bore 1961
            Getzen Eterna 4-Valve Fulgelhorn 1974
            Martin Committee 1946
            Olds Super Recording 1940
            Olds Recording (LA) 1953
            Olds Recording (Fullerton) 1967
            Olds Ambassador 1965

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            • Vulgano Brother
              Vulgano Brother last edited by

              For text-painting, see J.S. Bach.

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              • M
                moshe @Vulgano Brother last edited by moshe

                @Vulgano-Brother said in Vocal warm-ups.:

                For text-painting, see J.S. Bach.


                J.S. BACH IS STILL ALIVE AND I CAN MAKE AN APPOINTMENT TO SEE HIM?

                WOW !!!!!!!!!!!!!!!!!!!!!!!!

                moshe, smart aleck extraordinaire who gets on everyone's nerves

                Dr GO 1 Reply Last reply Reply Quote 0
                • Dr GO
                  Dr GO @moshe last edited by

                  @moshe said in Vocal warm-ups.:

                  moshe, smart aleck extraordinaire who gets on everyone's nerves

                  As long as they're not in the back. Those suckers really hurt, right Cyclone!

                  Allora Pocket Trumpet 2014
                  Harrelson Summit 2017
                  Kanstul 1526 2012
                  Getzen Power Bore 1961
                  Getzen Eterna 4-Valve Fulgelhorn 1974
                  Martin Committee 1946
                  Olds Super Recording 1940
                  Olds Recording (LA) 1953
                  Olds Recording (Fullerton) 1967
                  Olds Ambassador 1965

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                  • tjcombo
                    tjcombo last edited by

                    Lis Lewis' "Singer's First Aid Kit" comes with a great CD of vocal warmup exercises. Working with this really opened my eyes to the difference that a decent warmup routine can make.
                    I found that playing trumpet for 20 or 30 minutes has a similar effect on the vocal chords as a decent warmup. Some vocal warm-ups involve a limited amount of air flowing over the vocal folds - limited by humming, rolling the tongue, or what the vocal world calls "lip trills". Maybe it's the steady relatively small air flow blowing a horn that warms up the voice?

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                    • neal085
                      neal085 last edited by

                      Interesting article, VB. I hadn't heard of the singing on your back before, but I'm going to try that.

                      This isn't a very scientific response, but from experience I can tell an immediate and beneficial relationship between singing and playing trumpet.

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