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    Update on my Olds Recording

    Bb & C Trumpets
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    • GeorgeB
      GeorgeB last edited by GeorgeB

      Well my Olds Recording arrived on Tuesday and I have been playing it mornings and afternoons ever since. I think my other horns are getting jealous.

      Fortunately it arrived in perfect condition. And I do mean perfect. This baby looks like it just out of the showroom. It is 3 years younger than me ( 86 in July ) and in much better shape. I had a hard time finding any wear, but there was one tiny area at the bottom of the 3rd valve casing. The previous owner must have had a sweaty left hand pinkie. The rest of the horn is immaculate. This was a well cared for horn.

      Because it was recommended to use a thicker grade of valve lubricant, I am using Berp #3. It may have helped, but there was plenty of compression and I am sure a #2 grade would have been just as good.

      It is a balanced horn, the only one I have ever owned. Maybe that is what makes the Recording so versatile. I played classic, jazz ballads, swing and even some country music and it was fantastic.

      It may not be the best playing trumpet in the world, but IMHO it is certainly one of the best.

      All the good things I have heard and read about the Olds Recording are absolutely true. I am one huge happy camper.

      And musn't forget Josh and Nate at Austin Custom Brass who go out of their way to make your purchase a pleasure.
      George

      1960s King Super 20 Silversonic, 1940 Olds Recording, 1942 Buescher True Tone 400 ,1999 Conn Vintage One Bb trumpet, A 1952 Selmer Paris, A 2020 Getzen 400 and a Manchester Brass ACB custom pro Bb trumpet, a 1962 Conn Victor 5A Cornet.

      BigDub barliman2001 2 Replies Last reply Reply Quote 5
      • BigDub
        BigDub @GeorgeB last edited by

        @georgeb
        Happy for you, George! Keep it up, now!

        GETZEN Eterna 900, S.E. Shires C Trumpet, Custom Shires 3c MP, Shires 1 1/2 C MP
        Assorted other mp's not used
        ( not very unusual….right? )

        1 Reply Last reply Reply Quote 1
        • barliman2001
          barliman2001 Global Moderator @GeorgeB last edited by

          @georgeb I know that feeling well... had exactly the same experience with my Recording. And as my - by this time two - Courtois Balanceds give me the same feeling (while being much more assertive - they are more like background Wagner horns, with an incredible lower register), it might really be the balanced make that does the trick.

          Courtois Balanced
          Courtois D
          Olds Recording
          Buescher Aristocrat
          Gaudet C
          Selmer G
          Courtois 154 Flugelhorn
          Besson International Bb cornet
          Courtois Bb cornet
          B&H Sovereign Soprano Cornet
          B&H Sovereign trombone
          Willy Garreis trombone
          Weltklang Euph

          GeorgeB 1 Reply Last reply Reply Quote 1
          • GeorgeB
            GeorgeB @barliman2001 last edited by

            @barliman2001 said in Update on my Olds Recording:

            @georgeb I know that feeling well... had exactly the same experience with my Recording.

            it might really be the balanced make that does the trick.

            Yes, I really believe that is true.

            George

            1960s King Super 20 Silversonic, 1940 Olds Recording, 1942 Buescher True Tone 400 ,1999 Conn Vintage One Bb trumpet, A 1952 Selmer Paris, A 2020 Getzen 400 and a Manchester Brass ACB custom pro Bb trumpet, a 1962 Conn Victor 5A Cornet.

            1 Reply Last reply Reply Quote 1
            • Dr GO
              Dr GO last edited by Dr GO

              Putting the Recording through its motions. Here is a recording I did of a rather crispy tune written by my sax player friend Jack Novotny on our first CD, called Jacktime. The Recording really has a crisp response on this tune. Solo at 2 minutes, Trading 4's at 4:35.

              1928dbd2-c2d7-4790-a3d8-8de3954c6d03-image.png

              Allora Pocket Trumpet 2014
              Harrelson Summit 2017
              Kanstul 1526 2012
              Getzen Power Bore 1961
              Getzen Eterna 4-Valve Fulgelhorn 1974
              Martin Committee 1946
              Olds Super Recording 1940
              Olds Recording (LA) 1953
              Olds Recording (Fullerton) 1967
              Olds Ambassador 1965

              1 Reply Last reply Reply Quote 1
              • Dr GO
                Dr GO last edited by

                Showing some range diversity of the Recording. Here is a cut from the same album, this one written by our bass player and leader, Eddie Brookshire titled "Minor Blues". Popping some F's and G;s in the head. So powerful is the Recording, that it sounds like an entire brass section playing the head, Nope, only two horns, trumpet and tenor. The Recording performs!

                9ea48133-77e6-4bdb-a69f-1d541239e722-image.png

                Allora Pocket Trumpet 2014
                Harrelson Summit 2017
                Kanstul 1526 2012
                Getzen Power Bore 1961
                Getzen Eterna 4-Valve Fulgelhorn 1974
                Martin Committee 1946
                Olds Super Recording 1940
                Olds Recording (LA) 1953
                Olds Recording (Fullerton) 1967
                Olds Ambassador 1965

                GeorgeB 1 Reply Last reply Reply Quote 1
                • GeorgeB
                  GeorgeB @Dr GO last edited by

                  @dr-go

                  Wow, Doc, the Recording sounds great but in this case it is because of the man blowing the notes. You are an amazing player, Doc. I can never make the Recording sound the way you do....👍
                  George

                  1960s King Super 20 Silversonic, 1940 Olds Recording, 1942 Buescher True Tone 400 ,1999 Conn Vintage One Bb trumpet, A 1952 Selmer Paris, A 2020 Getzen 400 and a Manchester Brass ACB custom pro Bb trumpet, a 1962 Conn Victor 5A Cornet.

                  1 Reply Last reply Reply Quote 0
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