Anyone remember JOHNNY ZELL
-
@Kehaulani said in Anyone remember JOHNNY ZELL:
@GeorgeB said in Anyone remember JOHNNY ZELL:
Yes, I did my playing between 1953 and 1965 and in the 50s the Selmer Paris horn was a big favorite of the pro players like Louis Armstrong, Harry James and Ray Anthony . .
Ah yes, Swingin' at the Tower.
I remember a contemporaneous article in downbeat by Ira Gitler where he referred to a special being as a "rayanthony" (one word), to be used synonymously with "copycat". Ouch.
Gosh, who wasn't a copycat in that era. All the trumpet guys wanted to sound like Harry James, including myself. But I was a kid and didn't know better. Strangely enough, though, not many wanted or even tried to copy Louis Armstrong's staccato style of playing.
-
@GeorgeB said in Anyone remember JOHNNY ZELL:
All the trumpet guys wanted to sound like Harry James, including myself. But I was a kid and didn't know better. Strangely enough, though, not many wanted or even tried to copy Louis Armstrong's staccato style of playing.
Not everyone. I listened to Miles and the beboppers, mostly.
-
Yeah, Miles was in a different league. I was more into the big bands, louis and Dixieland style jazz while I was playing back then, but after I stopped in 1965 I became interested, as a listener, in jazz players like Miles and Chet. And I would say that no one was further away from the Harry James exaggerated vibrato style of playing than Miles.
-
@GeorgeB said in Anyone remember JOHNNY ZELL:
Yeah, Miles was in a different league. I was more into the big bands, louis and Dixieland style jazz while I was playing back then, but after I stopped in 1965 I became interested, as a listener, in jazz players like Miles and Chet. And I would say that no one was further away from the Harry James exaggerated vibrato style of playing than Miles.
Actually as a young lad in St. Louis, Miles aspired to the Harry James sound. His earlier teacher scolded Miles for trying to sound like Harry... Miles listened, and the rest is history.