TrumpetBoards.com
    • Register
    • Login
    • Search
    • Categories
    • Recent
    • Tags
    • Popular
    • Users
    • Groups

    How Do You Give the Audience a Sonic Experience?

    Pedagogy
    6
    14
    598
    Loading More Posts
    • Oldest to Newest
    • Newest to Oldest
    • Most Votes
    Reply
    • Reply as topic
    Log in to reply
    This topic has been deleted. Only users with topic management privileges can see it.
    • ?
      A Former User last edited by A Former User

      For the most part, if you perform (for cost or for free), your audience will be non musicians. How do we give them (for lack of a better description) a sonic experience. We've all experienced it when we've heard something that just amazed us. The effects? Some of us will get goosebumps, or even cry while some of us will fidget nervously. The bottom line is that we have been exposed to a sonic experience.
      What do you consider the necessary elements needed to give the audience (and possibly yourself) a sonic experience?

      Shepherds_Crook 1 Reply Last reply Reply Quote 0
      • Kehaulani
        Kehaulani Credentialed Professional last edited by

        Not to be glib, but targeting your audience and giving them quality music.

        Benge 3X
        Martin Committee
        Getzen Capri Cornet
        Adams F-1 Flugelhorn

        "If you don't live it, it won't come out of your horn."
        Charlie Parker

        "Even if I could play like Wynton Marsalis, I wouldn't play like Wynton Marsalis."
        Chet Baker

        ? 1 Reply Last reply Reply Quote 1
        • Shepherds_Crook
          Shepherds_Crook @Guest last edited by

          @Dr-Mark Vince DiMartino had a 3 point strategy that always works = higher, faster, louder!

          My only issue with the question is that ‘sonic’ could be defined by some to not include playing musically ... just getting thrilled by a screaming high trumpet note. (Remember, the audience is mostly non-musicians).

          I witnessed a flawless concert by Maurice Andre in Lexington, KY in the ‘80’s that was the most amazing sonic expense I have heard. Legato tones and exquisite musicality that was stunning. It really was perfect. Not one bad note.

          One of my favorite sonic moments involving me plying was when I gathered some friends to play a wedding reception for one of my best friends. Everyone was just having a great time and the guests were just having more and more fun with every song. Just a magic night that everyone there remembers as something special ... perhaps even sonic.

          Blaine
          BrassHurricane@gmail.com

          Schagerl LU5A
          Adams A4 LT-S custom
          DaCarbo Unica
          Adams F1
          Schagerl PT-200S

          Dr GO ? 3 Replies Last reply Reply Quote 1
          • Dr GO
            Dr GO @Shepherds_Crook last edited by

            @Shepherds_Crook said in How Do You Give the Audience a Sonic Experience?:

            One of my favorite sonic moments involving me plying was when I gathered some friends to play a wedding reception for one of my best friends. Everyone was just having a great time and the guests were just having more and more fun with every song. Just a magic night that everyone there remembers as something special ... perhaps even sonic.

            But the scientist in me asks, could the more and more fun be related to alcohol consumption (after all this IS a wedding). Relaxing the inhibition of mind may make the sound coming in a less complex function and therefore a more relaxing, enjoyable "sonic" experience...

            Allora Pocket Trumpet 2014
            Harrelson Summit 2017
            Kanstul 1526 2012
            Getzen Power Bore 1961
            Getzen Eterna 4-Valve Fulgelhorn 1974
            Martin Committee 1946
            Olds Super Recording 1940
            Olds Recording (LA) 1953
            Olds Recording (Fullerton) 1967
            Olds Ambassador 1965

            1 Reply Last reply Reply Quote 0
            • Dr GO
              Dr GO last edited by

              sonic.
              [ˈsänik]
              ADJECTIVE
              denoting, relating to, or of the nature of sound or sound waves.

              For the non-musician the nature of the sound or sound wave may be more tolerated when not providing excessive energy (loudness).

              How many times have we musicians been told by an audience member that the music is too loud and to play softer?
              THEN
              How many times have we musicians been told by an audience member that the music is to soft and to play louder?

              Allora Pocket Trumpet 2014
              Harrelson Summit 2017
              Kanstul 1526 2012
              Getzen Power Bore 1961
              Getzen Eterna 4-Valve Fulgelhorn 1974
              Martin Committee 1946
              Olds Super Recording 1940
              Olds Recording (LA) 1953
              Olds Recording (Fullerton) 1967
              Olds Ambassador 1965

              1 Reply Last reply Reply Quote 0
              • ?
                A Former User @Shepherds_Crook last edited by

                @Shepherds_Crook said in How Do You Give the Audience a Sonic Experience?:

                My only issue with the question is that ‘sonic’ could be defined by some to not include playing musically ... just getting thrilled by a screaming high trumpet note.


                Good point but it was the only term I could come up with. You helped clarify the term "sonic" by telling us about your experience when listening to Andre and your playing at the wedding.

                1 Reply Last reply Reply Quote 0
                • ?
                  A Former User @Kehaulani last edited by

                  @Kehaulani said in How Do You Give the Audience a Sonic Experience?:

                  Not to be glib, but targeting your audience and giving them quality music.


                  That's one of the things I do. Figure who I'm playing to and have practiced the music for that particular audience.

                  1 Reply Last reply Reply Quote 0
                  • Vulgano Brother
                    Vulgano Brother last edited by

                    Be immersed in the music, listen, and enjoy yourself. The audience will too.

                    ? 1 Reply Last reply Reply Quote 2
                    • ?
                      A Former User @Vulgano Brother last edited by A Former User

                      @Vulgano-Brother
                      One of the first things I do is to understand what my audience is probably looking for. If I'm playing for a swank event, then playing a trumpet version of AC/DC's Thunder Struck probably won't do.
                      Also, I need to know if I'm just there to drown out the silence and glasses are clinging or is it a show and the focus is on me.
                      Next, I know the lyrics to every song I play if it has lyrics. That way I can emote better.
                      I also (if the show is about me) take the time to talk a little about the song I'm about to play. This really helps the audience get it.
                      Next, I watch the audience. They will tell em if its too loud or too soft. If people are talking, keys are rattling and I don't feel the performance, I'm messing up and it's usually because my head is elsewhere and not in the moment. I then get back to the basics and focus on what I'm suppose to be doing, entertaining people. I immerse myself as VB said, and I listen to the room. Not my trumpet but the room my trumpet is playing in and even if I feel like S***, I pack a smile and never complain.
                      I like to walk around when I play and if I see someone who is attentive, I'll walk near their area and play to them. This can cause a sonic moment for sure pending my valves don't stick or a bottom cap doesn't fall off (had both to happen several times). If necessary, I stop and jokingly say to the audience, "That does it, someone's getting fired!" I feel those moments make me more human and likeable.
                      If its an intimate setting, I'll ask if there is anything they would like to hear. That can be a real goose bump moment for the audience because they hear and watch me serenade a person or couple and it really takes hold if the person or couple begin to cry.
                      Finally, when I'm finished, I always take time to talk to the audience that hung around to see me and sign autographs when they want one and the only way I leave without greeting everyone is if I have to shoot out of there because I have another show to do which requires a quick rinse off in their restroom and a change of shirts before I get to the next venue.
                      I'm sure there more but this is the crux of the biscuit for me to giving the audience a sonic moment

                      Dr GO 2 Replies Last reply Reply Quote 0
                      • Dr GO
                        Dr GO @Guest last edited by

                        @Dr-Mark said in How Do You Give the Audience a Sonic Experience?:
                        ...the only way I leave without greeting everyone is if I have to shoot out of there because I have another show to do which requires a quick rinse off in their restroom and a change of shirts before I get to the next venue.

                        Dr. Mark on his way to his next Sonic Gig:
                        8ac59c5f-96cb-4bd4-b471-4887a508048e-image.png

                        Allora Pocket Trumpet 2014
                        Harrelson Summit 2017
                        Kanstul 1526 2012
                        Getzen Power Bore 1961
                        Getzen Eterna 4-Valve Fulgelhorn 1974
                        Martin Committee 1946
                        Olds Super Recording 1940
                        Olds Recording (LA) 1953
                        Olds Recording (Fullerton) 1967
                        Olds Ambassador 1965

                        1 Reply Last reply Reply Quote 1
                        • Dr GO
                          Dr GO @Guest last edited by Dr GO

                          @Dr-Mark said in How Do You Give the Audience a Sonic Experience?:
                          Finally, when I'm finished, I always take time to talk to the audience that hung around to see me and sign autographs...

                          For me, I like to hang around to rap with the audience. And to prove the point, this is me at the last gig that demonstrates my function in the band as the "w-rapper" which is always good to get some snickers from the audience!
                          f59a7f52-9d0a-4d00-8edf-93f4b6ae7b94-image.png

                          Allora Pocket Trumpet 2014
                          Harrelson Summit 2017
                          Kanstul 1526 2012
                          Getzen Power Bore 1961
                          Getzen Eterna 4-Valve Fulgelhorn 1974
                          Martin Committee 1946
                          Olds Super Recording 1940
                          Olds Recording (LA) 1953
                          Olds Recording (Fullerton) 1967
                          Olds Ambassador 1965

                          1 Reply Last reply Reply Quote 0
                          • ?
                            A Former User @Shepherds_Crook last edited by

                            @Shepherds_Crook said in How Do You Give the Audience a Sonic Experience?:

                            One of my favorite sonic moments involving me plying was when I gathered some friends to play a wedding reception for one of my best friends. Everyone was just having a great time and the guests were just having more and more fun with every song. Just a magic night that everyone there remembers as something special ... perhaps even sonic.


                            Yes! having fun is an important ingredient in making a musical experience special (sonic) my opinion.

                            1 Reply Last reply Reply Quote 0
                            • Bob Pixley
                              Bob Pixley last edited by

                              Dynamics. Make the soft sections really soft and the loud parts really LOUD! Contrast is your ally for keeping the music interesting. Of course, playing well is a given, and yes, if you look like you're glad to be there and are having fun, the audience will respond.

                              Dr GO 1 Reply Last reply Reply Quote 0
                              • Dr GO
                                Dr GO @Bob Pixley last edited by Dr GO

                                @Bob-Pixley said in How Do You Give the Audience a Sonic Experience?:

                                Dynamics. Make the soft sections really soft and the loud parts really LOUD! Contrast is your ally for keeping the music interesting. Of course, playing well is a given, and yes, if you look like you're glad to be there and are having fun, the audience will respond.

                                I so agree. This is essential. The power of dynamics (especially playing softer) really brings the audiences' ears into understanding the musicality behind the performance.

                                Allora Pocket Trumpet 2014
                                Harrelson Summit 2017
                                Kanstul 1526 2012
                                Getzen Power Bore 1961
                                Getzen Eterna 4-Valve Fulgelhorn 1974
                                Martin Committee 1946
                                Olds Super Recording 1940
                                Olds Recording (LA) 1953
                                Olds Recording (Fullerton) 1967
                                Olds Ambassador 1965

                                1 Reply Last reply Reply Quote 1
                                • 1 / 1
                                • First post
                                  Last post