Theo Charlier No. 1
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Upload didn't work Dr. Mark. Are you sure you are doing it correctly?
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Same here.
(Just confirming above, though, I've already got it.) -
I tried to copy and then paste it but also was not able to get the file to download. Looking forward to is as if it's from Dr. Mark, it's gotta be good!
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I was able to get it on my iPhone. Dr. Go, , if you send your email address to ssmith1226@aol.com, I will send the pdf file to you. I already have Kehaulani and administrator’s email. I will directly forward them.
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Dr. Mark fixed the link... it has come through for me. Thanks Ssmith1226 but I was able to get this link!
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Thanks to Mark for sharing. But if you can't get the link to work, Pops (Clint McLaughlin) has a link to the Charlier book, along with other books in the public domain here.
http://www.bbtrumpet.com/the-pops-mclaughlin-trumpet-foundation-page/
Mike
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@SSmith1226 said in Theo Charlier:
I was able to get it on my iPhone. Dr. Go, , if you send your email address to ssmith1226@aol.com, I will send the pdf file to you. I already have Kehaulani and administrator’s email. I will directly forward them.
Thank you, but . . .
@Kehaulani said in Theo Charlier:
Same here.
(Just confirming above, though, I've already got it.) -
Is Charlier public domain?
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I got my copy from the Internet in pdf for free.
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Well. we kind'a got sidetracked with the technicalities so let me just say, "Nice playing!" Not just blowing through the exercise, but musicality, as well. Great performance and great book. When I was at North Texas, that book was stock of the trade.
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@Dr-Mark said in Theo Charlier:
Just beautiful. I had split screened the score of this second etude against the actual solo, and what came out to me, that was most influential as to his artistry, was not how he played the notes he played (that was amazingly accurate) but the way he used the written rests and pauses and how he made this work with the printed ink. THIS IS HOW AN ETUDE needs to be executed. I encourage all listening to this presentation to watch the manuscript come to life in simultaneous execution.
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@Dr-GO said in Theo Charlier:
@Dr-Mark said in Theo Charlier:
Just beautiful. I had split screened the score of this second etude against the actual solo, and what came out to me, that was most influential as to his artistry, was not how he played the notes he played (that was amazingly accurate) but the way he used the written rests and pauses and how he made this work with the printed ink. THIS IS HOW AN ETUDE needs to be executed. I encourage all listening to this presentation to watch the manuscript come to life in simultaneous execution.
Totally. Probably a "reference" point for this etude. I bet he did that in one take, knowing what Hardenberger can do.
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