Update for everyone: I'll probably be out of hospital some time next week.

barliman2001
@barliman2001
There are those who know everything about me, and those who know nothing, and those who know little bits.
Everyone has a reason for being in one of those groups, and I respect every single one.
Best posts made by barliman2001
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RE: Moderator in hospital
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RE: Diversions
This question is one that hits me very directly as it is connected to my permanent condition as an Autistic... We in the Autistic Spectrum tend very much to overemphasize our shortcomings and belittle our capabilities - it's just one of the expressions of how our brain is functioning. I don't say that only we experience this; but most of us are more prone to thinking we are not good enough than Neurotypicals. I'm looking at my own example: I finished my Leaving certificate with best marks, being third in a class of 129; I completed undergraduate university in record time with an MA in history as third of a class of 355. I then completed my PhD in record time - less than a year - coming second in a class of 88. And yet I always sought after becoming better still because being second was already a cause for depression - I was simply unable to put my achievements in relation to what others managed to do. Even when I reached the absolute pinnacle of my chosen profession and was awarded a Professorship in Trinity College, Dublin, Ireland, I was not content. I could not strive for more, but there was that nagging thought I was not good enough... it ended with a divorce and deep depression; several years of therapy which did not help me at all because the therapists did not recognize the root of the problem, i.e. my Autism (and please forget everything about Rain Man and similar movies: There are such people about, but they are at most one % of the Spectrum). Only when one clever psychiatrist, at the goading of my wife, took the trouble of testing me for Autism did I suddenly receive the master key to everything that had ever happened in my life, and to my own mind. Since then, I have found the key to compromise and happiness; and now, I am not driven any more to try and reach unattainable goals, but am content to be what I am, and - in music - to be a good player within my own comfort zone. I still try to do as well as I can; but I now accept my own limitations while still trying to improve. And I am happy that way.
Hope you could make some sense out of this.
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RE: Welcome to TrumpetBoards!
Well, after mourning TM and my hard-earned status as fortissimo user, I'm here.
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Celebrations...
Whether you are celebrating Christmas, or Hanukkah, or Diwali, or the 12th Week of Halloween, or Birthday or Wedding Anniversary or Happy 9th Divorce, my Season's Greetings to you. May all of you enjoy the best of health, the best of food, the best of company, and the best of trumpets!
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RE: Mid Performance Emergency Sub
At this point, I think I just have to chip in with the story of how I got hooked into big bands... 1993... I was a fairly competent amateur player with lots of experience in brass bands and wind bands, some orchestral stuff and already a vast repertoire of church stuff. No jazz experience whatsoever. Then, one Saturday morning, I got a phone call... a very Bavarian, very bearded voice at the other end...
"I've heard you're a trumpet player." -
"Yes?" -
"We are a big band." -
"Yes?" -
" You have a red shirt?" -
"Yeees??" -
"Free this afternoon?" -
"Yyeees?" -
"Be at the Saint Florian Restaurant at three." CLICK.Spoof or truth? Well, the place was not too far away, so I collected everything I thought I might need... rotary Bb, rotary C and picc, black jacket and bow tie... (my usual church gig outfit) and went there.
In my innocence, I thought it might be just a short gig, with probably a third or fourth trumpet awol, possibly an hour's sight-reading of easy stuff, cash in and get out... "otherwise you don't hire a guy you don't know anything about four hours before a gig"...
What I found...
an Austrian wedding, and the band scheduled to play for the afternoon coffee break, then provide dinner music and continue to play for the dancing until dawn... the guy who had gone awol was the 1st trumpet, and they expected me to fully replace him for a whopping 16 hours or so... with a repertoire I had never seen or played before... I had to come clean about my big band experience so far, so trumpet #3 stepped up and I filled his place and managed to muddle through somehow... interestingly enough, they did not throw me out afterwards with catcalls and rotten eggs, but invited me in as full replacement for the now promoted #3. I stayed with that outfit for a full eleven years, playing another 196 weddings with them, 40-50 balls, and smaller gigs, numerous... have never been without a big band ever since.
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RE: A little humour
@BigDub In a local paper: "The inventor of Autocorrect just pissed away. He was an anthole. Restaurant in pieces."
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RE: A little humour
@bigdub Sir Thomas Beecham is best remembered for this incident... He loved to mingle with the audience in Covent Garden during the interval. One day a guy rushed into him and without apology, asked him where the loo was. Sir Thomas told him to follow a certain passage, adding, "The first door is labelled "Ladies". Don't go in there. The second door is labelled "Gentlemen". Go in there nevertheless."
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RE: A little humour
Two trumpet players in Rome, in the only caffè possible!
barliman2001, left, and ssmith1226, right. -
New mouthpiece...
A friend of mine, former musical show trumpet player Alexander Gerzenberg, now has decided to throw his vast expertise in all things trumpet in with the Breslmaier company, being part responsible for mouthpiece development. A few days back, he gave me one of his first efforts at hands-on creating screw rim mouthpieces for my birthday. It's quite a story, so I am sharing it with you.
One of the chief products of Breslmaier is creating screw-on rims for existing mouthpieces, and vice versa. Usually, the leftover bits are thrown away for recycling... now Alexander has made it his pastime to root through the throwaways looking for something nice. What he found was a Bach Mt. Vernon 1 1/2 stem and cup, and a Bach Mt. Vernon 1 1/4 rim, both discarded. He cut a thread on both, inserted a slightly tapered distance ring and thus created what might easily be described as a Bach Mt. Vernon 1 1/4 A mouthpiece...
I played it for a full day yesterday, on both my Courtois Balanced and Olds Recording, and it was fabulous... nice control, warm silky smooth sound with optional paint-stripping... definitely a keeper! Thank you, Alexander!P.S.: Tried it on my Courtois Roger Delmotte D today, a very mouthpiece-sensitive horn, and it was grand on that as well...
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And who is the new moderator?
Suddenly, after a longish wait, I found "Global Moderator" beside my name... well, quite a few people here know about me from TM, but for all those who don't or who did not really care at the time, here's all about me. I don't have a fancy website - more or less because I'm busy updating my wife's website. But here's everything of interest about me:
I'm a 53-year-old Bavarian (well, German national, but I prefer my local tribe) living in Austria, near Vienna. Married to an opera singer (www.reginaschoerg.com). By trade, I am a historian.
My musical past consisted of children's choir, then the local church choir and finally, after studying voice with several renowned teachers, soloist with the Passau Cathedral Choir and the Dublin Guinness Choir. From age four, I played piano - did not really like it, but was good at it.
Until I accidentally put my hand through a glass door and cut a nerve. Fortunately, the same year I had won my first trumpet in a raffle... went on to Kinneil Band in Scotland (current British National Champions!), then back to Germany. Seven years in Ireland, playing with a number of brass bands and the Greystones Symphony, eventually conducting this orchestra. Since then, Principal Trumpet of the one and only Vienna Klezmer Orchestra (www.klezmerorchester.at) and webmaster for Munich-based Markus Fluhr Big Band (www.bbmf.de).
So far, I have performed on trumpet in twelve different countries and a total of 97 orchestras or bands (usually as a sub). I have been known to pack the car at a moment's notice and drive several days just for one interesting gig...
My finest moment in history? When I walked into a Vienna coffee house and they had a clarinet converted into a table lamp!Feel free to contact me - I'm sure to answer.
Latest posts made by barliman2001
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RE: European Folklore Festival Bitburg - Call for Players
@administrator You coming? Splendid. Contact Nick Jones directly, will you? He is in charge of reserving accommodation - always the same 3* hotel in the centre of town, and all gigs are within easy walking distance. Most important is a good music stand - you can borrow one of mine if necessary - and a good music light: Some of the gigs are open air at night.
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RE: European Folklore Festival Bitburg - Call for Players
@Kehaulani-0 Perhaps next year? It's always on the first full weekend in July...
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RE: European Folklore Festival Bitburg - Call for Players
@Kehaulani-0 Then why don't you become a repeat offender by going there? Would love to have you!
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RE: Vintage F. Besson Approximate Year?
@administrator A bit over-restored, to my taste. By all means take out the dings and make it play-ready; but re-plating removes all the character of its age from the horn - especially as many horns of that period originally came in a matte finish.
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RE: European Folklore Festival Bitburg - Call for Players
@Kehaulani-0 Exactly. And as Bitburg is a small town attached to a biiig brewery, the brewery picks up most of the cost...
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European Folklore Festival Bitburg - Call for Players
It's that time of year again... Welsh scratch brass band Coronation Brass are recruiting for players to join them for their annual participation at the European Folklore Festival in Bitburg, Germany.
11th to 15th July, 2025
I'll include the official invitation letter.It's always a really fun event as TBers Steve Smith and Ivan Hunter can bear witness to... five gigs in four days, with no rehearsal (everything sight-read in front of appreciative audiences), with the chance to sit in with other bands of very different descriptions.
Details in the official letter and either from me or from Nick Jones (contacts in the letter).
"Coronation Brass
Coronationbrass@hotmail.com
Y Gaer
Llanfair Caereinion
WELSHPOOL
SY21 0DG
+44 7811 946826
February 2025
Invitation – European Folklore Festival, Bitburg.
11th – 15th July 2025.
Dear All
I hope this finds you well – this is a formal invitation to you to participate in Coronation Brass’s annual trip to the
Festival in Bitburg this July.
We had a fabulous trip last year, and it was fantastic to have a virtually full band for once! All our concerts were a
roaring success as always.
I’m hoping we can get a fairly full band together again this year, and as always if you know of any players who
you think would fit in with us, please feel free to pass this letter on. We always seem to struggle for cornets for
some reason, so get your thinking caps on!
As in the last couple of years, I won’t be arranging transport – the easiest way to reach Bitburg is to fly to
Luxembourg, and there is a bus transit from the airport to the town. If you’re driving, let me know if you’ve got any
spare seats and anyone struggling with transport please drop me a line, and I’ll see what I can do.
Accommodation and meals are provided – The price is the same as last year - £220 for four nights.
The full schedule has not been completed yet, but it is likely that our first performance will be on Saturday
afternoon. This means that you can either arrange to arrive on Friday afternoon, or Saturday morning. The final
concert will be on Monday evening.
For those of you who haven't been before, we play a programme of what can best be described as cheese, sorry,
brass band classics, in a central square in the small city of Bitburg. It's part of the European Folklore Festival
which has, in previous years, seen musicians and dancers from across the world perform to large audiences. We
will play two or three concerts each day and there's plenty of opportunity to enjoy the festival and all the brewery
town has to offer.
I don’t need definite numbers at the moment, but if you would like to join us, please let me know as soon as you
can. Also, if you know you definitely can’t make it, then please get in touch so I can approach another player.
Feel free to contact me for further information
I hope to see you in July!
Nick Jones
Coronation Brass"And if you don't have a cornet, but would like to join - there are always a few spare cornets around to borrow. Just tell us in advance, and bring a suitable mouthpiece.
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RE: Buescher Aristocrat 264 - value?
@J-Jericho Usually, only the later UMI models show up - and they are, basically, crap...
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Buescher Aristocrat 264 - value?
As some of you may know, I have a Buescher Aristocrat 264 Bb trumpet. I loved playing it, usually in big band and accompanied by my Buescher Aristocrat 265 Bb cornet... now, I am at a point where the 264 does not fit my playing charateristics so well any more, and it is getting relegated in favour of my Olds Recording and my Courtois Balanced (of which I have two...). So the Buescher 264 now leads a very retired life at the back of my trumpet cabinet... and needs to get out more. So I am thinking of selling, but not at any price.
It is yellow brass, with the original lacquer at somewhere like 90%, everything original and lovely short-stroke valves with as-new compression. Now what kind of price would one be able to ask for it? -
Help! Mendelssohn 5 in Bb?
Hi there,
as many of you will know, I started off playing in concert pitch (in Lutheran trombone choir), and then had things like Ab conversion instruments to cope with normal Bb parts, and then painfully re-learnt my fingering for Bb.
I never managed to learn transposing, and usually cope with bringing the correct pitch instrument with me. Now in May, I am supposed to play Mendelssohn's Symphony No. 5 which oscillates between five different trumpet pitches... I simply can't bring five instruments for one gig.
Does anyone have a Bb or C transposed 2nd trumpet part they could share with me?
Would be very much appreciated.